Regarding score, it's also worth noting that a lot of industry folks felt Sondheim was robbed for Sunday in the Park a few years earlier. Meanwhile, Webber had won twice in the last 8 years, so crazy as it sounds, Sondheim actually had a bit of an "overdue" element working in his favor.
Would have been interesting to see which would have taken Orchestrations had that category been around. On the one hand, the Tonys love awarding big grandiose orchestrations like Moulin Rouge, American in Paris and Light in the Piazza. But they've also awarded orchestrations for plenty of smaller, more intricate scores ala Assassins, Next to Normal and Evan Hansen. So a real toss-up there.
It is worth noting that since Best Orchestrations was established in 1997, only two shows that were also nominated for Best Original Score managed to win the former category, but not the latter. Which were Thoroughly Modern Millie in 2002 (Urinetown won Score that year) and Billy Elliot (in a tie with the Best Score winner that year, Next to Normal). So history would be on Into the Woods' side, although I don't think it's impossible Phantom could've won.
As the film adaptation of Matilda the Musical is currently playing in select theaters before debuting on Netflix this Christmas Day, let's take a look back at the Broadway production of this very show (through a feature I previously wrote in 2019) as well as its success at the Tony Awards.
"As the film adaptation of Matilda the Musical is currently playing in select theaters before debuting on Netflix this Christmas Day, let's take a look back at the Broadway production of this very show (through a feature I previously wrote in 2019) as well as its success at the Tony Awards.
Today, we’ll be taking a look back at what appeared to have been quite a stellar Best Lead Actress in a Musical lineup from the 2014 Tony Awards as well as a deep dive into all 5 nominees that year.
For the 2022 edition of ‘And the Tony Almost Went to…’, I settled on MJ as the runner-up to A Strange Loop. Today, we’re going to look into whether or not it could’ve actually been Six.
Jeffrey Karasarides said: "For the 2022 edition of ‘And the Tony Almost Went to…’, I settled onMJas the runner-up toA Strange Loop. Today, we’re going to look into whether or not it could’ve actually beenSix.
When I did research for my 'And the Tony Almost Went to...' feature on Urinetown back in 2020, I was astonished to learn how all over the place the 2002 race for Best Featured Actress in a Musical was. Before the ceremony, the New York Times described it as "a toss-up." As I recently reflected on that, I thought it'd be a great idea to take a look back at it.
Benanti could have been a three-time winner in the featured actress category. She was the standout and revelation in that production of Into the Woods. Millie performed better than people predicted, and we all get why.
Patti LuPone, who’s famously not afraid of being so notoriously outspoken, revealed in an interview that she felt she should’ve won the Tony for Anything Goes in 1988 over Joanna Gleason in Into the Woods. Similar to how Bette Midler feels Sally Field robbed her of the Oscar in 1979. Paul Wontorek recently asked Gleason about her thoughts, and gave a generous response. https://www.instagram.com/p/DBRpoRESFNf/