Anyone know the REAL reason Hello Dolly refused to perform at the TONYS? — Page 4

Guess what kids, this entire production was a collaborative undertaking between Rudin and Midler, and it does not have to be one or the other. My guess is that they were on the page regarding the blackout from day one. And re "Maybe a performance of the title number or sunday clothes could have kept it open a bit longer?" you misapprehend the dynamic: They COULD keep it open longer; they don't want to.

Very few people care NOW.

kdogg36 said: "Broadway theater literally can't be accessible for all. The total capacity of Broadway theaters is a little over 50,000; even if all theaters were occupied at all times, this would be a maximum of about 21 million available tickets per year - substantially less than 1% of the US population. If there are more people than that who want to see a show in a given year, there will be scarcity, regardless of how producers set prices."



Broadway is accessible for all. But accessibility along with desire and all the costs involved also need to be considered.

Which may explain empty seats and places like TKTS that sell for up to 50% off, etc. the day of the show. Even when a show as big as “Hello, Dolly!” announced it was closing, there were still plenty of seats available ten days later for the date I was looking at in August, where 3/4 of the balcony and mezzanine were still unsold. Maybe shows like “Harry Potter and the Cursed Child” and “Hamilton” will sell out, but others like “Frozen” and “Sponge Bob” might have plenty of open seats. And there’s always the Lottery and Rush.

Ticket prices may be double what I’ve paid for the Broadway National Tours I’ve seen, but if someone’s goal is to see a show on Broadway they’ll try and find a way. I’ve got friends who have 2nd jobs just to achieve a dream. Maybe they put $10 away a payday into their Dream Fund, and in a couple of years they’ll be there in the mezzanine watching that show. Determination can be a powerful thing.

And you really can’t use statistics that encompass the entire US population. Not everyone in America wants to see these shows, even when they are in NYC. Maybe they have no desire to watch a Broadway show at all. I know as many times as I’ve been to NYC I had zero interest in seeing the shows on Broadway until last year. Heck, I had even stood in Times Square not realizing “Broadway” was literally right there all around me. And most of my friends have never seen a Broadway show, even the Tours, and have zero desire to see them.

Even if all the factors align and the access, cost, determination, and availability are there, but they can’t get the time off work, take care of a sick parent, find a pet sitter for a finicky animal, or any number of other reasons prevent them from making it to Broadway. So they’ll wait for the tour, like I have. Broadway was accessible, I just couldn’t get there.

Broadway is there and waiting for everyone.

Gizmo6 said: "What stung at Dolly for me was $45 for the brochure I have beautiful white bound red tasseled phantom ones and a host of others from around the world that cost around $10 approx which beautiful papers anddesigns. It was a rip off I had paid and only realized when I got the change. That leaves a bad taste. Did they reduce the price after Bette?"

Not sure where you get the $10 from, as most shows charge $20 across the board for them. I think Dolly uses a thicker stock, has more pages, and you're also paying extra for that heart-shaped cutout on the front.

They never reduced the price, just added an insert about Bernadette to the Bette version of the book. Seems strange to blindly buy something and then think you were overcharged, though.

What actually leaves a bad taste in my mouth about the Hello Dolly! run was the rudeness of the Shubert Theater workers during the Bette run. In no other theater have I experienced workers who barked orders to the audience the way this theater's workers did. I understand they were under instructions to keep a tight lid on the entire production (including the red curtain) but there are other shows which are/were hot tickets when I went to them (DEH twice, Three Tall Women) where rules were enforced but without anywhere near the amount of rudeness at the Shubert.

poisonivy2 said: "What actually leaves a bad taste in my mouth about the Hello Dolly! run was the rudeness of the Shubert Theater workers during the Bette run. In no other theater have I experienced workers who barked orders to the audience the way this theater's workers did. I understand they were under instructions to keep a tight lid on the entire production (including the red curtain) but there are other shows which are/were hot tickets when I went to them (DEH twice, Three Tall Women) where rules were enforced but without anywhere near the amount of rudeness at the Shubert."

Care to be a bit more specific? What kind of "orders" were being barked at you?

haterobics said: “Not sure where you get the $10 from, as most shows charge $20 across the board for them. I think Dolly uses a thicker stock, has more pages, and you're also paying extra forthat heart-shaped cutout on the front.”

Product description:

”This stunning 84-page program from the revival of Hello Dolly makes a great gift for any Hello Dolly fan, including yourself! Featuring more than 75 color photos of Tony Award winning actress Bette Midler and the rest of the original Broadway cast, this program includes insightful comments from director Jerry Zaks, Tony Award winning costume designer Santo Loquasto, and many others who helped shaped the smash-hit revival. This heavyweight softcover program features a heart-shaped die-cut cover, and measures 9 x 13 inches.”

I hope they still have them at the Shubert when I get there next week! I’ll certainly be buying one!!!

:)

Updated On: 5/25/18 at 01:37 PM

Sorry I’m European we pay €10/£10 max for Souvenir programme.

I’m delighted your excited to spend your money on the brochure.

It’s just my opinion.

I handed over $50 and got back $5. I expected somewhere around max $25 I didn’t question it usually merchandise is in line across the board, in Europe /West End anyway.

I have beautiful programs where the design is way more advanced than a cut~out, I know you queens will defend it to the hilt. It’s pretty but it ain’t $45 pretty.

It’s one thing having a Star and but another then exploiting that.

I saw Bette, who I adore but frankly she wasn’t cut out for the role, And agree with posters who said that’s why no videos were released, I wish I had seen Murphy.

Gizmo6 said: "I saw Bette, who I adore but frankly she wasn’t cut out for the role, And agree with posters who said that’s why no videos were released, I wish I had seen Murphy."

Not cut out for the role, huh? That's why she won the Tony and performed to sold out houses for her entire run.

This is DOLLY LEVI, not HEDDA GABBLER.

I really wish people would get over their transparent Bette hate.

Gizmo6 said: "I saw Bette, who I adore but frankly she wasn’t cut out for the role, And agree with posters who said that’s why no videos were released, I wish I had seen Murphy."

Donna was good, but Bette was perfection. Going back two more times in August (one, if she announces a West End run before wrapping up here).

RicardoMagon said: "45 dollars for that?! Good lord. That's disgusting."



I know people that go out and spend more than that for a few drinks and dinner. Per person. At least with the souvenir program I’ll have it until the day I die.

And we each apply meaning to the things we collect, whether it’s to preserve a memory or experience, or to remember our place in the history of the show while it ran on Broadway. I’ve paid way more than $45 for a couple of my cast-signed window cards, whereas some people don’t even glance twice at that table as they rush out the door after the show. To each his own.

I don’t put down anyone’s reason to collect what they love or what they want, as long as it’s legal and doesn’t hurt anyone.

Updated On: 5/25/18 at 02:36 PM