There's an interesting editorial opinion by Michael Riedel in this morning's NY Post. You can find on their website at this URL:
http://nypost.com/entertainment/27442.htm It's essentially about how even if Dracula sucks, because they have the funding of this man Joop van den Ende, it will supposedly stay open because he'll make money off of it either way.
The Bare connection to this article is finding out this man owns 50% of Dodger Stage Holdings. I think we've wondered in the past how Bare could have possibly kept itself afloat on $40 tickets and I wonder now, if this wasn't part of the reason, this man's musical whims?
I don't know whether to be relieved that he seems to want to spend his money freely or frightened at what else this spending has produced.
(OT, to BlueWizard, I'm determined to keep you up to date on my progress, am now 380 pages into the book and I find myself anxious for its progress, in a good way. I have to stop myself from flipping ahead. I also fear the anticipation will come crashing down on me whenever I get to wherever I think I want to wind up, if that makes any sense. Gaaaahhh... I'm totally sucked in and have bags under my eyes to prove it, from staying up to read last night.)
"Too young to hold on and too old to just break free and run" - Jeff Buckley