Sat through it last night. Bored senseless a lot of the time. The show is hideously dated, way too many songs go on entirely too long and add nothing to the story. That interminable "Where Can You Take A Girl" thing, for example, which comes back not once but TWICE, for Christ's bloody nailed up sake, and the songs they added to give Chenoweth more to do and didn't even really bother to motivate at all. And that hideous "Young Pretty Girl" number was a total embarassment -- what on earth makes them think that it works?
The performances are skillful, but one note. Chenoweth's Fran is a bummer, whose suicide attempt seemed rather perfunctory and ill-motivated -- really, would anyone kill themselves over Tony Goldwyn? And Sean Hayes' performance is a parade of schtick, some of which works very well indeed but there's no growth in the character at all, nothing seems to mean anything to him except as a way getting a laugh out of the audience. He had some vocal issues the night I saw it, missing at least two of his big notes, most damagingly at the end of the title song, which has probably never been sung with less passion or conviction.
I won't even ask why the show depicts thunder and lightning during a snowstorm in December.
The sole bright spot in the show was Katie Finneran. The Tony for Supporting Actress in a Musical is hers by divine right. She lifts her scenes right into pure heaven. She was so brilliant that I couldn't even laugh at her: I could only shake my head in admiration at how one actress, doing the right thing at the right time in the right way, can lighten even the darkest dankest dreariest of shows.
"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW
"Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick
My blog: http://www.roscoewrites.blogspot.com/
Updated On: 4/23/10 at 10:28 PM