Imagine a HELLO DOLLY film without the song "Hello Dolly". Imagine a CABARET film without the song "Cabaret". That's my response to anyone who says the film of SWEENEY TODD is a great film. Eliminate the title tune (and musical thru-line) and whatever it is, it isn't a great SWEENEY TODD film.
Broadway Legend Joined: 10/11/11
Amadeus transcends its play.
Doubt has electric film performances.
Who's Afraid of Virginia Woolf is a masterpiece.
Broadway Legend Joined: 10/11/11
Also Sweeney Todd the film is not the grand operatic guignal the musical is by any means.
But it's still a great movie.
Amadeus
Brief Encounter
Pygmalion
You Ain't Seen Nothing Yet
His Girl Friday
Ran
The Matchmaker
The Sunset Limited
Broadway Legend Joined: 2/10/11
These are my personal favorites...sure that I have left some off: Musicals: Fiddler on the Roof, Cabaret, Chicago, The Sound of Music
Plays: A Streetcar Named Desire, The Philadelphia Story, The Little Foxes, Sweet Bird of Youth, Amadeus, The Caine Mutiny (better than the play IMO), You Can't Take it With You, A Raisin in the Sun, Who's Afraid of Virginia Woolf, Holiday, The Solid Gold Cadillac, The Man Who Came to Dinner, Becket, A Few Good Men (again, better than the play IMO), Arsenic and Old Lace, Cat on a Hot Tin Roof
Never a fan of The Lion in Winter or A Man for All Seasons. Boring.
Broadway Star Joined: 11/10/14
I never liked Taylor and Burton in Virginia Woolf- I have seen the play numerous times- Kathleen Turner was the best Martha I have ever seen- but to me Taylor just does not capture it.
I love Funny Girl and Cabaret for musicals- West Side Story is pretty great, too.
As far as Tennessee Williams...SUMMER AND SMOKE was an excellent adaptation as was CAT ON A HOT TIN ROOF. However just the opposite was SWEET BIRD OF YOUTH which was toned down for Hollywood standards of the time. Heavenly had an abortion instead of a sexually transmitted disease leaving her barren. And instead of being castrated Chance got off with a broken nose. Geraldine Page was terrific though regardless of the script changes for the other characters.
Agree with other posters listing WHO'S AFRAID OF VIRGINIA WOLF? In fact when I see it on stage now all I constantly hear is Taylor and Burton's line readings in the back of my head.
Broadway Legend Joined: 4/1/08
I never see The Country Girl mentioned on these lists, but Crosby gives one of his best dramatic performances as Frank and Kelly is quite good as Georgie. Other than depicting Frank rehearsing a musical instead of a drama, it's very faithful to its source and, for my money, towers over the Broadway revival Mike Nichols directed.
Broadway Legend Joined: 10/11/11
You know what I love about the film of Virginia Woolf?
Is that it can't be played for laughs like when it's done live. There's no laughter from the audience to cause relief. And every time I've seen it live they are big theatre performances. Elizabeth Taylor made Martha very real and gross and pitiful and sad. There's something so intense about being trapped with them in the movie. Some things are funny but it's more like you are a hostage in a claustrophobic nightmare.
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