I always look forward to how a show will end Act 1 and my favourite endings to Act 1 are
Wicked - Defying Gravity Anything Goes - The large scale tap routine and Title Song Avenue Q - The heart wrenching A fine fine line
I cant think of worst
yours?
Westend: Lion King,WWRY, Blood Brothers, Chitty Chitty Bang Bang, Woman In Black, Crazy For You, Wicked, Sweeney Todd, Much Ado About Nothing, A Chorus Line, Book Of Mormon, Merrily We Roll Along, Cripple of Inishmaan
Tours: Avenue Qx2, Grease, Sister Act,WWRY,Hairsprayx2, Never Forget, Blood Brothers x2, Singin' in the Rain, Legally Blonde,American Idiot x2, Phantom of the Opera, Beautiful Burnout, Our Countrys Good, The Ladykillers, Joseph,9-5, Rocky Horror, CATS
Regional: She Loves Me, Sweeney Todd, Kiss Me Kate, The Pajama Game, Barnum (Chichester) Metamorphosis (Lyric Hammersmith)Tristan and Yseult (Bristol Old Vic)
Tickets: Nevilles Island, Much Ado About Nothing
Wynbish, when you say Spamalot do you mean the song Find Your Grail which is right before the last scene or Run Away? Because I always thought that they should have cut that part and just ended on a high note of Find Your Grail.
Find Your Grail is a better song, but the French taunters would not have made sense in Act 2. If there was a way to put them before Find Your Grail, it would have been great, as well.
I just love the "Have a drink and a pee, we'll be back for Act 3!" "Two, sir" "Two!" And the use of the cartoon on the screen.
Best: Little Mermaid (Show was awful but ending the act with PUF was smart) Miss Saigon (One of the most emotional Act 1 closers for me) Ragtime (Another tear-jerker) Titanic (Just because I love the song No Moon/Autumn) WOTV (Cute song and good scene) 9 to 5 (About the only thing I like about the show besides Megan Hilty)
Worst: Tarzan (WHAT?) Wedding Singer (Like the scene but the song annoys me) Wonderland (Just no!) My Favorite Year (Only thing I liked about that show was the Act 1 Opening, the rest was torture.)
Best: Anything Goes (You have to love that tap number) Gypsy Wicked Billy Elliot Cabaret (if it is done well, it is chilling) Company
Worst: Lion King Catch Me if You Can Damn Yankees (Love the musical, but the intermission could be better placed) Love Never Dies Hairspray Into the Woods
Everything's Coming Up Roses All I Ask of You Reprise-Say what you will about the show (I happen to enjoy it), it's a rousing end to the first act (and Masquerade is a terrific opener to act 2). One Day More-another rousing closer Ragtime-I cried and cried during the revival South Pacific-Loved how they did it in the revival-it really left a sense of turmoil Miss Saigon-(I want a revival!!) I really had goosebumps during this one Wicked-this is a very iconic closer to act 1 by now, I'd guess (and for good reason)
Worst: I've been lucky as I can't really think of too many right now-but I agree Find Your Grail should have been Spamalot's act 1 closer.
The Act I ending in Oliver is really awkward. And see the discussion of Pippin about where to put an intermission if at all. (Same discussion for A Chorus Line).
What's people's gripes with Fiddler's Act I closing? I think it's pretty emotional - yes, it's a downer - but doesn't it make you want to come back and see what happens next - how the jews in the village respond (if at all).
I don't know whether Into The Woods is good or bad - since people initially think it's the end of the show despite the "to be continued" statement by the Narrator.
I quite like the Act 1 ending to Fiddler On The Roof. And of course Ragtime is one of my favorites as well as Side Show and Evita. The King and I is quite good too
''With the number of people I ignore, I'm lucky I work at all in this town'' - Helena Bonham Carter
URINETOWN RAGTIME SIDE SHOW LES MISERABLES LA CAGE AUX FOLLES ANYTHING GOES THE BOOK OF MORMON GYPSY DREAMGIRLS EVITA SWEENEY TODD WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN and the final minute or so of WICKED and AIDA
Worst:
GODSPELL HAIRSPRAY (only part of the show I don't love musically) WONDERLAND THE WEDDING SINGER DAMN YANKEES
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
With the original Stroman choreography, CRAZY FOR YOU's "I Got Rhythm" had the audience cheering, stamping whistling, and virtually floating out to the lobby on a cloud of tap dancing euphoria.