The thing was, I don't really think she did act the sh*t out of it. I have no doubt that she has before and perhaps it was an off night and she still generally DOES do that, but I thought her performance was pretty low-key.
Steven22, So Marin really is that good?! The few clips I had seen of her didn't really impress me. And I've heard mixed reviews about her...people either LOVED her or HATED her. I loved Marin when I saw her in Ragtime years ago...but her voice just doesn't seem like it fits the belty, rock-type score of Next to Normal..that's just my opinion. But, who knows - I may have thought completely different if I had seen her in the role.
I went into the show for the first time seeing Marin and before the show I didn't think she would be as good as Alice. The videos didn't impress me either. However, from the second the show started I fell IN LOVE with her performance. Her "You Don't Know" had me in tears.
I saw Alice all throughout her broadway run. She is/was phenomenal. In every aspect EVERY single time, EXCEPT her voice. I would say maybe the last 3 times I saw Alice on broadway, her voice was shot. 2 of those times I saw her after a week of vocal rest (I thought I would be seeing Jessica Phillips as Diana and Ripley was on).
I saw Marin 3 times. Once in the beginning of her run, once in the middle, and once at the end (the final broadway performance). Each and every time I saw Marin she got better. The only thing that I did not like about Marin's performance was at the beginning of her run as Diana, she would make awkward mouth movements as she sung, and sometimes in 'You Don't Know/I Am The One," she would screech every so often. Marin also has far better control over her voice than Alice. She uses it in a completely different way. Not better, just different. Which is why I cannot pick a favorite Diana (out of the two I've seen live).
Interesting...thanks for sharing your experiences. You know, Alice Ripley's voice has always had a very raw, edgy quality to it. Even when her voice is in fine shape, people have criticized her for pitch problems, control issues, etc. Since Side Show, she has become known for her strong belt. Belting I think in general, is difficult to control. As the years have gone by, she has begun to have a lower and lower vocal range, I've noticed. For instance, if you watch a performance of hers from when she was in Sunset Boulevard - you would have thought you were watching a different person entirely.
The Side Show score was MUCH more difficult to sing than Next to Normal's. Not that it's a walk in the park, but it doesn't compare to "Violet"'s range in Side Show. Having said that, Side Show was open for all of 3 months on broadway, and Emily had a vocal injury during it's run. If Alice had played "Violet" for over 3 years, who knows..maybe we'd see the same thing happen.
Just disecting this a little bit...its interesting talk. In any case, I hope that once the tour is over, she can get some much needed rest, and we can see her perform her magic in another project.
I didn't think anyone could top Ripley in the role, but I also saw Marin in the final performance and was astonished. Two truly great performances in a wonderful role and a wonderful show.
"Art, in itself, is an attempt to bring order out of chaos."-Stephen Sondheim
I love Alice and Marin. The one thing Marin has over Ripley is control and technique. She knows how to use her voice properly and can deliver nightly. Ripley goes balls out and shreds her voice.
Having seen Alice and Marin, I think Alice plays a much more heightened, frenetic Diana and Marin played a more emotionally grounded and real Diana. Both interpretations are valid. Alice seemed more splintered and frantic and Marin seemed more wounded and fragile.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
I'm not sure if I'd say Marin's Diana is "emotionally grounded" only because she was almost crying throughout the whole thing I thought - I agree with fragile and wounded. I found her completely believable though - the way she cried between "I Dreamed a dance" and "There's a world" - I felt so bad for her Diana, like trying to desperately 'hold on' or whatever to her Son, the *************SPOILERS*********suicide attempt seemed like a natural progression/plausible.
I thought she was pretty thrilling/forceful in "You don't know" and its reprise (this especially, I get nothing out of it from the cast recording - not sure how Ripley delivers it on stage), I really liked the screeching.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
By emotionally grounded, I guess I meant Marin gave a more naturalistic portrayal of a grieving woman. Alice seemed somehow more affected, almost Kabuki-like in her performance.
Both were incredibly moving portrayals but quite different.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
Both Ripley and Mazzie are emotionally driven when they play the role (as evident during 'There's a World," I believe. I've seen Ripley and Mazzie both from the front row at the Booth and both cry and act the role unbelievably well.
Ripley was out Thursday, Friday and Sunday. She did both shows on Saturday. I was at the Saturday evening performance. Her voice was better than I expected when the show started (I was expecting the worst) but by Act 2, things were going downhill. When she's in her upper belt range things come out great...but softer and lower, or higher (end of "So Anyway") things get messy. I enjoyed the show very much, and Alice's voice really didn't take away from the show.
A friend of mine (a for real theatre reviewer, as opposed to my little blog) learned from her that she feels that her voice is stronger at matinees. (A hint for all of you wanting to catch Alice).
I've seen it 3 times in St. Louis -- once with Alice (on opening night) and the other two times with Pearl, who has a fantastic voice.
Alice has taken every Friday off for several weeks now. I have seen the tour a few times and I haven't seen Pearl yet, but I'm trying. Alice is off for the matinee today. To the person who bought tickets for all four weekend shows - You'll definitely see Alice.
I've had great understudy luck with every character but Diana! I've only seen Marin and Alice.
"I will not cease from mental fight, nor shall my sword sleep in my hand: Till we have built Jerusalem in England's green and pleasant land."
Also - All of these really horrible things that people are saying about Ripley's voice (in reviews, on here, etc) are not relevant unless you see her when she's sick. Does she sound like she did in Side Show? No. Is it as controlled as the cast recording? Nope, but it never has been, really. When she hits a really great note, especially in You Don't Know, it's solid and powerful. I think her voice is just tired but it's not completely shot like everyone is saying.
I'm really late to this thread but I do want to say that Marin's performance was devastatingly beautiful and heart-breaking. They played the role so differently. Ripley plays up the crazy and Marin was in tears for the entire show... The closing cast was the closest the show ever was to perfect. 100%.
"I will not cease from mental fight, nor shall my sword sleep in my hand: Till we have built Jerusalem in England's green and pleasant land."
littlegreen: Thank you for commenting on Ripley's voice. In the last day I've read several negative comments about her voice sounding like a growl, or what have you. I am seeing the show Sunday night and my excitement is renewed viewing your assessment!
I agree with littlegreen's comments about her voice. I'm planning to go tomorrow night, but I'm worried she'll be out because of her concert of Monday.
As for Mazzie, she gave the greatest performance I've ever seen on any stage.
p.s., has anyone noticed changes in the orchestrations for the tour? It appears like they have an electronic sounding harpsichord during "My Psychopharmcologist and I" instead of piano.....(I don't like the change)
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
(I personally have not taken notice to any changes but I don't think it's something I focus on. I think when I'm seeing Alice I have a hard time focusing on anything but her. She's electric.) BUT everything is FAST! I saw the tour for the first time in March and it had been two months since I had last seen it (at closing on Broadway). I hadn't listened to it or anything since then but I honestly thought they didn't play the entire prelude. I panicked but upon going back and listening, it's just fast fast fast. Everything seems to be sped up a little (especially The Break, which seemed fast enough already, but I guess not, haha). The scene with the cake/He's Not Here is rushed through and it makes me sad.
"I will not cease from mental fight, nor shall my sword sleep in my hand: Till we have built Jerusalem in England's green and pleasant land."