Big Fish Chicago previews — Page 2

I did rush tickets. I got to the theater at 7:30 in the morning and was only one in line until the box office opened. I sat in the orchestra level, row J, seat 21. I was very upset that the first act was horrible. I was 10 rows away from the stage and I could not hear anything!! No facial expressions and the orchestra was louder than the singers. There were some scenes that did not make any sence like the elephant dance. They just stomped their feet than the crowd just started screaming and clapping. I just didn't get the dance. The french wife was HOT! That all that I have to say. I was happy that the first act was over, but I did mind that intermission was about 25 minutes long and I can understand why. The second act was a little better, but I didn't know if the story was getting serious or just funny. Sure there were some sad parts, but every time I saw someone wip their eyes, I just wanted to roll my eyes and say "really" to them. The ending seemed ok for me when all of the characters came back together, but I would have to say the end did made me cry. I'm debaing if I should see it again, but I should of done rush tickets for catch me if you can. Oh and speaking of catch me if you can. Did anybody notice that there were some lines that described Norbert old character Carl Hanratty? Like "I'm a agent" and "finding a con man"? The sets and costumes where great, but there is going to be a lot of work done. I just mostly watch the ensemble and the tech crew (I could see them) since they did a better job then the main actors.

"I thought the show lacked the right tone....I couldn't tell if they were going for serious, bittersweet, silly......it seemed to be all over the place in terms of tone."


This is one of my problems with the film. It's one of those movies that I will never ever understand the love it gets from it's fans. But the reviews from last night pretty much confirm what I was afraid of with this adaptation. At this point, at least.

This movie is like Newsies for me. I always start it, and then I find myself dozing off about half-way through.

It sounds like they need to be more inventive. Stroman is a pretty by-the-books kind of director. I'm surprised she would take some on something so fantastical.

Sorry, while typing this I was just upset that the show wasn't what I was expecting it to be.

This would have been the last thing I would have thought that needed to be a musical. The film had no idea what it wanted to be, funny, sad, bitter sweet.

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His WILD PARTY score is sharply uneven in my opinion. The songs he wrote for CHARLIE were merely passable. His score for ADDAMS was abysmal. I'd hardly call any of his music clever, whimsical, or imaginative, which is what I'd imagine the score of this show should sound like.

"The God's Honest Truth" is this show is wonderful! Big Fish definitely still needs some work, but the show as is when I saw it is pretty spectacular! First off, I saw the very FIRST performance of the show EVER! I know that plenty of changes and tweaks are to come before the end of its run. Let’s start of with the cast. Norbert Leo Butz is so fantastic at whatever he does. I strongly think he’ll come close to getting his next tony with this show. His performance as Edward Bloom was spectacular. His voice is so good! I never really realized it. This is really the first show where he gets to show off his voice a lot! Kate Baldwin is just a doll. Her voice is so pretty! She played Sandra with such warmth and compassion. Bobby Steggert was really good as Will Bloom. His voice was kind of like Aaron Tveit’s, but a much stronger belt. You could really feel the anger coming off of him. Katie Thompson was FREAKIN AMAZING as The Witch. Her vocals are out of this world! Ryan Andes really was awesome as Karl The Giant. He had to stand on stilts plus he is already like 7 feet tall! The rest of the cast are completely stellar! Everyone gets to do something, and it really shows. The set was pretty cool. Due to the fact its Pre-Broadway they can do whatever the hell they want to the theatre, so they weren’t limited like touring shows. The set was basically the sets of “Wonderland" & “Bonnie And Clyde” coming together. There were amazing projections, visually, and great little tricks. The orchestra was actually on stage in the back. I thought that was really cool! They did this so they could use the orchestra pit as the river. A lot of tricks were done with that. I also noticed a couple of lighting cues were a bit off (it was the first show, that’s possible to happen). Also, Norbert’s mike in the first act seemed to be sounding a bit low in some parts. Maybe it was just me. In the end I do believe the movie captured the story better, but I enjoyed the musical a lot more. The story seemed to be very heavily condensed in the show. It was a bit confusing in some parts and others really did not make that much sense. There was a western number in act two called “Showdown” it was really fun and I got what they were going for, however it really did not fit with the rest of the show. The score is wonderful. I loved a lot of the songs. I still say that “The Addams Family” is Andrew Lippa’s best score. “Big Fish" is definitely second. In the end “Big Fish” compared as an adaption of the movie gets a 7/10 and as the show itself 9/10. I would definitely love to see it again. It truly is a wonderful show!

Updated On: 4/3/13 at 10:16 PM

The words "best" and "ADDAMS FAMILY" should never even occupy the same sentence.

Updated On: 5/2/13 at 11:31 PM

Well I've never listened to The wild party score so maybe it is :)

BroadwayBoy, when you say Norbert never before got to show off his voice, you must not be familiar with the Last Five Years.

Thanks for your thoughts.

Hi all, LONG time lurker, first time posting here. Honestly, I have been reading this board for years but never really felt the need to jump into the fray. Until now.

While, you are all entitled to your opinions about this show, I felt completely the opposite from most posters so far. So, respectfully, i disagree.

I was totally thrilled by this show.

I have never been a big Lippa fan, but this score was charming, moving and brings his work to a whole new level. The cast was uniformly excellent (except maybe for Krystal Brown who doesn't have much of a role to work with). I saw the third preview and could not believe what good shape the show was in.

Susan Stroman's work is deceptively simple at times and lovely and grandiose at others. The movement and the direction of the performers is a sight to see. Not in a "spectacle" sense, though there were moments of that, but in a "this is how theater is meant to move us" way. Storytelling though clever, well done, tight movement is a lost art in most Broadway musicals these days.

I hope those of you who haven't seen it yet will keep an open mind. The story was incredibly moving and I really felt like it was a special night. I hope to see it in NY when I come in the fall.

Also, has anyone heard anything about a possible extension in Chicago? I have friends visiting in late May and I'd love for them to see it.

Back from the Friday night (4/5) show. Excuse me, I have some tissues I need to throw away. There. I'm better. My comments are a little lengthy.

I didn't know what to expect. I sort of liked the movie, but wasn't a big fan. I only saw it one time in the movie theater and I don't think I've ever caught it on television. I found this version of the story more touching, more emotional and tighter than the movie - even thought it's longer! And thus more memorable.

The end of this show is so well done - "How It Ends" as delivered by Mr. Butz is incredibly effective. Lots of sniffling - although the level of your reaction may depend on your personal life. I don't know if the end is a spoiler or not - given the movie and several early foretellings -

Norbert does get to sing out much more than in Dirty Scoundrels and Catch Me If You Can. He does seem to embody Edward Bloom really well and shifts between "young" and "old" seamlessly. Just little things in his stature and movements. He looks to be having fun when he should. Excellent job.

Kate Baldwin was a dream. Her "Time Stops" could be a standard, some day. She is mostly one-note supportive and understanding wife - but I relished every moment she was on stage.

Bobby Steggert is wasted. He doesn't get to do much - and his character is annoying. As others have said, his anger at his father doesn't ring true. In the second act, there is a number where young Will is enthralled by his father's stories - but when we first see young Will in Act I, he is already turned off by his father. There has to be that moment when the young boy first starts to question his father's stories - to set up the disappointment and sense of betrayal. The wedding scene needs to have more than Will's mom saying "Dad promised" - there has to be a more dramatic exchange with Dad to prompt the break. The song "This River Between us" tries to set up the conflict - and it's almost there, but just didn't do it for me.

Krystal Joy Brown needs a dialect coach. I have a better fake french accent - and mine is pretty bad. But, she does look good!

There are some amazing sequences - particularly the witch's sequence. "I Know What You Want" The costumes and lighting and choreography were nearly breathtaking and I sat with wonder at what was being achieved on stage. That said, I thought the witch would belt more or scat or just "get down with it" more. It just felt like it could have been more on the vocals. Still, this was probably my favorite part of the show.

The circus sequence goes on and on and on. The elephant bit was cute but unnecessary. The song "Closer to Her" itself takes too long. Even the opening bit "Little Lamb from Alabama" could be trimmed.

The song "Bigger" starts out with such promise and then kind of fades away. I agree that I expected more of a major dance from Karl the Giant to blow the audience away. Maybe that's to come.

The Western number is deadly. Deadly dull. Uninteresing in concept, execution and music. It adds nothing. The Act II opening "Red White and True" could have been cute - but doesn't really add to the plot - it's not as wild a story - and it just kind of sits there. I thought it was going to turn into a kind of "Favorite Son" ala Will Rogers Follies. It's just not rousing enough to open Act II.

Lots of choreography in the show. The ensemble gets a real work out and lots of opportunities to shine. Major use of lighting - the projections were effective for the most part - but I didn't feel like they were used in place of scenery (like in Bring it On) - Donald Holder is listed as lighting designer and I think he did an amazing job.

There were some mic issues tonite - Steggert was difficult to hear especially when he was singing - some struggles with costume changes and one set change that took an extra minute (with open mics so you could hear people directing traffic!)

There's a lot to admire in this show - some excellent effects, some thrilling choreography - and I think it will get even tighter - and perhaps "bigger" - and if you're not getting just a bit misty at the end, you have a cold cold heart.

So, I would definitely recommend the show.

Lastly, we got tickets using the discount code "STORY" - there also is a discount code "SPRING" - and while they were supposed to be expired, they still worked. Left Orchestra seats with taxes and fees were $60. And the view was excellent. If you use the code "THANKYOU", you get $20 off tickets for Sunday-Thursday performances, per a bookmark they handed out after the show, although the bbookmark says for "select seating locations".

P.S. Saw it with a television writer/producer who thought the first act went on too long and most could have been cut. he enjoyed the second act though.

Updated On: 4/6/13 at 12:38 AM

The fact that they are using projections just really turns me off to this. Especially a story like this, I feel should have colorful sets (not technology) and have a really carnival ensemble feel to the big production numbers. I also think it would be an interesting concept to not have the son sing until the end when he finally tells a story to his father. And I guess this is why I'm not the director, but thats just my thoughts.

Yeah, I really like the sound of the cast and the music I've heard this far and honestly, I'll probably see it when it comes to NYC.