Ok. let's straighten things out. I KNOW who the composers for Les Mis are, it's not Webber. i was meerly pointing out that the music is practically interchangable. Let's point out another thing. i've seen over 45 Broadway musicals and plays. I'm 14. to say that i am Billy obsessed would be wrong, i've never seen billy Elliot the musical. I have been a champion of the show ever since it was announced. Every one can have their own opinion. the Mary Poppins musical draws heavily from the original, much darker BOOK, than it does the Julie Andrews film of the same title.
Many people can claim that Sondhiem is boring but... come on, have you never heard Follies? It's a well crafted, brilliant piece of work. As much of his stuff is.
the book Les Miserables by Victor Hugo is an enormous book which, IMO, isn't that great. So going into the show i wasn't expecting to like it very much. I fonud the book long and boring and i could not connect at all with the characters. I found the musical the same way, except with drippy music and an annoying turntable. For those of you who like it: i'm glad! Their are obviously lots of fans and i know that i am one of the few who DOESN'T like it.
But to tell a fan of Sondheim that Les Mis forces you to THINK at the Theatre... well, that's just sort of funny.
BTW- I enjoy lots of types of musicals, i found Sunset Boulevard (sp), A Webber show to be very good and Starlight Express (though very sappy and content wise it stunk) was utterly breathtaking. As you can probably tell from my username, Caroline or Change, Avenue Q and Taboo are three of my most favorite recent shows.
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed