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Broadway Grosses: Week Ending 5/7/17- Page 2

Broadway Grosses: Week Ending 5/7/17

IdinaBellFoster Profile Photo
IdinaBellFoster
#25Broadway Grosses: Week Ending 5/7/17
Posted: 5/8/17 at 5:51pm

BANDSTAND has been slowly inching higher each week. I'm interested to see if they can keep it going through the summer. 


"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards

_IrisTInkerbell Profile Photo
_IrisTInkerbell
#26Broadway Grosses: Week Ending 5/7/17
Posted: 5/8/17 at 5:57pm

I agree about the Bandstand performance at the Tonys. I hope they make a smart choice, maybe not do a silly medley since they almost always fail to deliver and just do Welcome Home for example. I think Bright Star had a chance last year to get a boost from the performance. Their numbers had been creeping up slowly and all they needed was that little extra to get them there. But they picked the wrong song unfortunately... Fingers crossed it works out better for Bandstand!

bfreak
#27Broadway Grosses: Week Ending 5/7/17
Posted: 5/8/17 at 6:04pm

I know it was slight, but was there any chance Hello Dolly's small dip was because of the few shows David Hyde Pierce was out? I mean the capacity is counted as the same, but potentially a couple (and I'm sure only a couple) of refunds here and there?

bfreak
#28Broadway Grosses: Week Ending 5/7/17
Posted: 5/8/17 at 6:04pm

I know it was slight, but was there any chance Hello Dolly's small dip was because of the few shows David Hyde Pierce was out? I mean the capacity is counted as the same, but potentially a couple (and I'm sure only a couple) of refunds here and there?

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wonderfulwizard11
#29Broadway Grosses: Week Ending 5/7/17
Posted: 5/8/17 at 6:15pm

I'm not saying it won't happen, but why do y'all assume Bandstand will definitely perform at the Tonys? The only shows that get guaranteed slots are the nominated ones. 


I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.

bowtie7
#30Broadway Grosses: Week Ending 5/7/17
Posted: 5/8/17 at 6:20pm

could the Hello Dolly drop be due to comps to Tony voters?

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binau
#31Broadway Grosses: Week Ending 5/7/17
Posted: 5/8/17 at 6:28pm

Tony Voter comps seem like a good explanation to me. There could have been around 236 voter comps (with a +1) that took say $300 seats. Given there are 800 voters that sounds about right thinking about the time left until the Tony Awards? (assuming all voters see the show after the nominations come out - I would think some would have seen it before?).

In any case, for shows that are doing well producers are definitely forking out large chunks of $$$ to participate in the Tony Awards. 


When my goodbye post was removed: “but I had a great dramatic finish!!!!”
Updated On: 5/8/17 at 06:28 PM

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Wick3
#32Broadway Grosses: Week Ending 5/7/17
Posted: 5/8/17 at 10:46pm

_IrisTInkerbell said: "I agree about the Bandstand performance at the Tonys. I hope they make a smart choice, maybe not do a silly medley since they almost always fail to deliver and just do Welcome Home for example. I think Bright Star had a chance last year to get a boost from the performance. Their numbers had been creeping up slowly and all they needed was that little extra to get them there. But they picked the wrong song unfortunately... Fingers crossed it works out better for Bandstand!"

For some musicals, medleys are effective and for some they don't make sense. As for Bright Star, I agree they picked the wrong song but at the same time, they wanted to showcase Carmen Cusack due to her Tony nomination. I liked Waitress's medley at the Tony's last year and thought it worked.

I really hope Bandstand can survive through the summer!

Jarethan
#33Broadway Grosses: Week Ending 5/7/17
Posted: 5/9/17 at 12:03am

newintown said: "Who'd have thought a true turkey like Charlie and the Chocolate Factory would be so critic-proof? I'd have thought that word of mouth would do it in.

 

Its too soon.  It had to have a decent advance, given preview business.  Wait till the advance dries up.

 

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Javi
#34Broadway Grosses: Week Ending 5/7/17
Posted: 5/9/17 at 2:41am

I saw Charlie and the Chocolate Factory tonight. I was dreading it because of all the stuff I read here. And I actually enjoyed it! I thought it was fun. Yes, the Chocolate Factory set with the chocolate river was awful because it looked like a diorama and should have been impressice. I thought the adults as children worked as the actors didn't look that old. And the crowd loved it!!! Have they been making improvements to the show?

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yankeefan7
#35Broadway Grosses: Week Ending 5/7/17
Posted: 5/9/17 at 7:33am

"I'm not saying it won't happen, but why do y'all assume Bandstand will definitely perform at the Tonys? The only shows that get guaranteed slots are the nominated ones. "

I was thinking the same thing. I hope they do because I really enjoyed it when I saw it a couple of weeks ago.

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MaddieBB12
#36Broadway Grosses: Week Ending 5/7/17
Posted: 5/9/17 at 8:36pm

Week Ending in 5/7/17

(in alphabetical order)

Aladdin

Anastasia

Charlie and the Chocolate Factory

Come From Away

Dear Evan Hansen

Hamilton**

Hello, Dolly!

The Lion King

Sunset Boulevard

The Book of Mormon

Waitress

Wicked

**denotes the show(s) that made more than 3(!) million dollars

_IrisTInkerbell Profile Photo
_IrisTInkerbell
#37Broadway Grosses: Week Ending 5/7/17
Posted: 5/10/17 at 8:17am

Wick3 said: "
For some musicals, medleys are effective and for some they don't make sense. As for Bright Star, I agree they picked the wrong song but at the same time, they wanted to showcase Carmen Cusack due to her Tony nomination. I liked Waitress's medley at the Tony's last year and thought it worked.

I really hope Bandstand can survive through the summer!
"

True, the Waitress performance was fantastic but it was a small bit from one song and almost the entire She Used To Be Mine. The song could really shine. That's imo the problem with performances that mash together many (more than 2) songs, the whole thing feels rushed and the song can rarely really breath and move the audience.


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