The range, depth, and sheer power of Sara Ramirez's voice is astounding.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
As far as the boys, Gavin Creel's voice is so powerful and pure and even though I will get heat for it, I LOVE Josh Strickland's soulful belting. I think he has a terrific voice.
As far as the ladies, I was surprised to see no one list Christine Ebersole yet. Her voice is sublime on every level. A master class in singing. She's my favorite.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
James Barbour (he has no peer); plus Douglas Sills, Steve Pasquale (when is he going to star in a musical?), Audra McDonald and Stephanie J. Block come to mind immediately. From the past: Sally Ann Howes.
I'm not one of those young, screaming, never seen a show before girls either. I know she doesn't necessarily sing healthily or properly, but there's just something about the tone and rawness of her voice that I love. It's very unique and is always full of emotion (even when she is flat or screaming lol).
I have to say, Sherri Renee Scott, Mandy Gonzalez, Audra McDonald Betty Buckley, Patti Lupone & Lilias White for her work in Fela and The Life.... Gavin, James Barbour, Will Chase, Robert Spencer, John Lloyd Young, Robert Cuccioli, John Gallager Jr.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
It's beautiful, but I don't know, something about Raitt's version is untouchable to my ears. Warlow's rendition is stunning, but John Raiit gets under the song in a way I just love.
And when he chooses to go up the B flat at the end instead of the F...I die.