Standing ovations once meant something. Now, they are a joke. The point of a standing ovation -- to acknowledge something remarkable -- has been lost.
I have seen many legendary performances that did not get SOs, e.g., Carol Channing in HD when I saw it twice, Barbra Streisand in Funny Girl, Barbara Harris in the Apple Tree, Angela Lansbury in Mame (three of the four times I saw her in it), Zoe Caldwell in Prime of Miss Jean Brodie, Dewhurst and Robards two of the three times I saw it, James Earl Jones in The Great White Hope, Joel Grey in Cabaret, Mary Martin and Robert Preston in I Do! I Do! ON OPENING NIGHT, Ethel Merman in Annie Get Your Gun revival at Lincoln Center, Lansbury and Cariou in Sweeney Todd any of the three times I saw them in it, Richard Kiley in Man of La Mancha, Zero Mostel in Fiddler...Company, Follies, A Little Night Music, Pippin, Nine, Phantom (I saw the very first preview in NY and there was no SO, I saw it two more times in its first year and there were no SOs), and etc. Now, two adequate understudies in Frozen the night I saw it got an SO, as did the cast of Anastasia. What a joke. I agree with the poster who said that idiots in the front of the orchestra feel they need to justify the ticket prices, so they stand, which forces everyone else to stand if they want to see anything. I refer to it as the 'American Idolization' of America, if not the world. I have not been to London in about 10 years, but I used to travel to London on business and have seen at least 100 shows there. I cannot recall a single SO...yet, I understand they have become more commonplace as well. So silly and meaningless.