Hey All -
I'm curious as to whether or not anyone on here can help me out with finding a 'set' list of musical numbers from the Broadway production(s) of CABARET. I'm curious as to what recording is best to go off of. Any help would be greatly appreciated. Thanking you kindly!
Best,
- Mike
You want to know which recording is best to go off of in what respect?
Chronological order musical number-wise ... I'm still unsure if the OBC is better than the Revival, or what?
So you want the order of the musical numbers in order to make a decision?
I'll post the '98 revival for you. Someone else can take care of the others. Hold on.
Not sure what you want, but IBDB is your friend.
1966:
http://www.ibdb.com/ProductionSongs.aspx?ShowNo=2338&ProdNo=3348
1987:
http://www.ibdb.com/ProductionSongs.aspx?ShowNo=2338&ProdNo=4484
1998:
http://www.ibdb.com/ProductionSongs.aspx?ShowNo=2338&ProdNo=4848
'98 Revival:
1. Willkommen
2. So What?
3. Don't Tell Mama
4. Mein Herr
5. Perfectly Marvelous
6. Two Ladies
7. It Couldn't Please Me More
8. Tomorrow Belongs to Me
9. Maybe This Time
10. Money
11. Married
12. Tomorrow Belongs to Me (reprise)
13. Entr'Acte
14. Married (reprise)
15. If You Could See Her
16. What Would You Do?
17. I Don't Care Much
18. Cabaret
19. Finale
ETA -- oops, guess you don't need it.
Broadway Star Joined: 9/28/04
The OBC and revival are vastly different. Some songs from the original production were dropped for the revival, and some of the songs written for the film version were included in the revival as well.
For what purpose are you looking for a song list? If you are looking for a 'complete' recording, I'd recommend the one on the JAY label with Maria Friedman, Gregg Edelman, Jonathan Pryce, and Judi Dench. It incorporates pretty much ALL the music written for the stage and film versions.
If you just want to know which CD to get -- just get the revival. You'll probably like it better than the OBC. Or you can try the 2 disc studio CD since it has just about all the songs from the stage show and movie, but the cast isn't perfect and the sound could be better.
There's also bonus tracks on the original cast recording (or at least on the copy I own)
They are;
Berlin Songs Intro
I Don't Care Much
Roommates Intro
Roommates
It'll All Blow Over Intro
It'll All Blow Over
Goodtime Charlie Intro
Goodtime Charlie
I'm 99% sure on those, seeing as I don't have my copy of the OBC in front of me, so I'm just relying on memory.
edit:
I own the complete studio recording, and unless you REALLY love the show, then yes - by all means get it. However, Jonathan Pryce is no where near as good as Joel Grey or Alan Cumming, and Cliff is a bit bland (sorry, I forgot the gentlemen's name who sings and speaks his part on the album). It's good if you just take it for what it is. However, I would suggest investing in getting yourself a copy of both the original and revival casts. Even though it's the same set of music - give or take - there are changes in the songs as well as the orchestrations. Both are a must for any theatre enthusiast.
"Yes, the brutalities of progress are called revolutions. When they are over, men recognize that the human race has been harshly treated but it has moved forward." - Les Miserables
Broadway Star Joined: 9/28/04
Somewhat off-topic: whose picture is that on the cover of the 1998 revival recording? Is it Alan Cumming? That would make sense, but to me it looks more like an extreme close-up of Joel Grey.
It's Alan Cumming.
Gah, I miss Cabaret.
It does look like Joel Grey. I'm honestly not sure.
Crap, now I'm not sure. I thought it was Alan Cumming.
Broadway Star Joined: 9/28/04
Cabaret is a brilliant, brilliant show. I've done it twice (once in the ensemble, once as Cliff) and I'd do it again in a heartbeat. That finale gave me goosebumps every time!
BTW, PerfectlyMarvelous (love the name!), the 'Cliff' from the studio recording is Gregg Edelman, and yeah, a bit bland. The character, unfortunately, isn't the most exciting...he really exists in the show to observe and react to everything going on around him. He has a nice song, though: "Why Should I Wake Up?" or "Don't Go Sally," depending on which version you're doing.
Broadway Star Joined: 9/28/04
It would make sense that it's Alan Cumming, but I don't think he ever wore that cupid's bow lipstick, did he? That was Joel Grey's trademark. The more I look at it, the more I think it's Grey.
Cabaret is a brilliant, brilliant show. I've done it twice (once in the ensemble, once as Cliff) and I'd do it again in a heartbeat. That finale gave me goosebumps every time!
Same here, except I've only done it once. I would LOVE to have the chance to do it again.
It would make sense for it to be Alan Cumming, but it doesn't look like him. I have a huge banner of that exact photo (from an old taxi ad), and it's definitely NOT Alan Cumming.
Broadway Star Joined: 9/28/04
DancingThruLife, which role did you play?
I was in the ensemble, and I sang "Tomorrow Belongs to Me." In the revival it was a little kid on a recording, in our script it was supposed to be a group of waiters, but it was just me.
It depends how familiar you are with the show...if you're a newbie to Cabaret, I'd go with the revival. Alan Cumming is fabulous.
This is making me miss Cabaret DEARLY. Although my theatre group might bring it back this summer, due to popular demand. Wee!
Broadway Star Joined: 9/28/04
That's right...in the revival, the Emcee is listening to a recording. Near the end of the song, as the boy sings, "Tomorrow belongs..." the Emcee slams shut the lid of the record player and hisses at the audience, "To MEEEE!"
Chilling.
That was me! Except I didn't have the Emcee onstage with me.
It depends how familiar you are with the show...if you're a newbie to Cabaret, I'd go with the revival. Alan Cumming is fabulous.
And may I add that he looks STUNNING in those fancy suspender pants! Mmm hmm.
BTW, PerfectlyMarvelous (love the name!), the 'Cliff' from the studio recording is Gregg Edelman, and yeah, a bit bland. The character, unfortunately, isn't the most exciting...he really exists in the show to observe and react to everything going on around him. He has a nice song, though: "Why Should I Wake Up?" or "Don't Go Sally," depending on which version you're doing.
Thanks! :)
Aye, yes, Gregg Edelman...that's it! I couldn't think of his last name. I feel sort of foolish because you already mentioned his name and I couldn't even remember it for a second! Oh gosh. My Cabaret knowledge is slipping away.
Anyways, yes, I agree - Cliff is really supposed to just "be there" and therefore everyone else is a little more, let's say, extravagant than he is. And he's also based on Christopher Isherwood (the real Cliff, so to speak), as he wrote about his experiences in Berlin. I think it's a shame they cut"Why Should I Wake Up?" from the revival, though - it's so beautiful.
"Yes, the brutalities of progress are called revolutions. When they are over, men recognize that the human race has been harshly treated but it has moved forward." - Les Miserables
^Agreed. I know our Cliff was never quite content with the part, and wished he could have sang that song.
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