#26
Posted: 2/20/06 at 1:51am
I feel the need to point out that ALWRules gave us as apparent fact that "ALW is a better composer" than Stephen Sondheim. Yes, we are talking about the Andrew Lloyd Webber who comes up with five melodies for each show and reuses them countless times with no dramatic basis, is infamous for and has been sued for blatantly lifting/modeling songs after/being heavily influenced by Puccini, among others. Sondheim, like anybody, has lifted or been heavily influenced, but he is usually a little more subtle about it, and he hasn't been sued for it to my knowledge. Andrew Lloyd Webber, the guy who often reuses songs from old flops, wrote a show about the little engine that could, and may not have heard of dissonance until he wrote The Woman in White.
Sorry, I just don't see Webber making that many best of lists, whereas Sondheim, well, the documentation stands for itself. Go ahead and love him, I like him too, but he's not the sun and moon of composition. Catchy does not equal good. It just equals you heard that line of music a lot of times as the evening progressed.
I couldn't say because I'm not British but I believe that it took a few years for Sondheim musicals to catch on in England, just as it did in America. I will be bold and assume British people are quite aware of the American civil rights movement, even if they weren't in AP World History.
The trappings of a theatrical piece don't necessarily mean it only has relevance to one group of people. It's art. It's universal.
Sorry, I just don't see Webber making that many best of lists, whereas Sondheim, well, the documentation stands for itself. Go ahead and love him, I like him too, but he's not the sun and moon of composition. Catchy does not equal good. It just equals you heard that line of music a lot of times as the evening progressed.
I couldn't say because I'm not British but I believe that it took a few years for Sondheim musicals to catch on in England, just as it did in America. I will be bold and assume British people are quite aware of the American civil rights movement, even if they weren't in AP World History.
The trappings of a theatrical piece don't necessarily mean it only has relevance to one group of people. It's art. It's universal.
yr ronin,
joey
joey