I have to disagree that Ripley especially wasn’t a ‘tough act to follow’. I think many have followed successfully: Marin Mazzie and C Levy my two favourites. But Ripley’s vocal timbre is so unique and fitting for the role. It’s kind of like Bernadette’s vocals in Sunday, Kelli’s in Bridges, Patti in Gypsy or Ebersole in Grey Gardens. The voice is one of the most important sounds that defines the score.
As much as I love C Levy’s truly exceptional, clean sounding Diana - it will be Ripley’s voice that always feels like the real one to me. And coupled with her odd ticks and acting style it all just came together perfectly. Because it kind of felt Ripley wasn’t acting but playing herself. Whereas people like c Levy and Marin Mazzie in theory were/are probably running circles around Ripley in terms of their technical vocal ability and acting but ultimately it doesn’t matter because Ripley’s style felt very much like the character.
It was particularly special to see Ripley in the ‘immersive’ Barcelona production of next to normal a couple years ago because it was like sitting in a rehearsal room with her as it was a tiny box everyone was sitting on little box chairs sitting together. Adam Pascal video ‘dialing in’ as the doctor (pre recorded) - and a stunning performance of ‘light’ with colours projected all over the walls. Ripley’s vocals were stronger than on tour, but she didn’t even attempt the high notes of ‘so anyway’ anymore and they made an octave lower.
Of course what is on at the donmar/west end now is 1000 times more professional, polished and satisfying than what they did in Barcelona. But I believe they were trying to tour Ripley around Europe and London and it never eventuated. I do wish it could have been seen by more people.
Levy sings it too cleanly and it's too pretty. I really don't get that much depth from her performance.
Jamie Parker acts her off the stage. I'll see if it any different at the Wyndhams in a few weeks.
Stand-by Joined: 9/7/14
That was my big takeaway too. Levy sounds nice, but I didn't really feel that much from her. At least in comparison to when I saw Ripley do it.
Parker on the other hand ripped my heart out. And I was surprised how much I liked Wolfe.
Broadway Legend Joined: 4/22/21
A pretty reliable poster at Theatreboard says full cast transfer Fall 2025. Can anyone here confirm?
JasonC3 said: "A pretty reliable poster at Theatreboard says full cast transfer Fall 2025. Can anyone here confirm?
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The transfer is dead, it was originally taking the Booth in the Spring, but then with the Lead Actress in a Musical race shaping up the way it was, they decided to push a season, while the show was still running in the west End. Then sales in the West End were significantly lower then expected, so David Stone decided to cancel the transfer and just film the production instead. The only way this production is coming in is if they get a name for Diana, as unfortunately Cassie is not a big enough name to sell tickets.
Seems like the perfect vehicle for Toni Collette’s return to Broadway
Broadway Legend Joined: 4/22/21
bdn223 said: "The transfer is dead, it was originally taking the Booth in the Spring, but then with the Lead Actress in a Musical race shaping up the way it was, they decided to push a season, while the show was still running in the west End. Then sales in the West End were significantly lower then expected, so David Stone decided to cancel the transfer and just film the production instead. The only way this production is coming in is if they get a name for Diana, as unfortunately Cassie is not a big enough name to sell tickets."
Interesting as the same poster on the UK board later added: "I heard the Broadway run is limited so the proshot will likely be released afterwards."
Lots of info floating around about this one I guess.
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