Christoph said: "Good to hear as they really needed to make some changes to the show from the DC run. Brightman, however, is not one of the changes needed. Leslie Kritzer and the actress playing Lydia also need to be kept in place. The show never seems to know what to do with the Adam and Barbara characters and both Butler and McClure seemed utterly wasted in excess baggage/nothing roles. Plus Beetlejuice's reason for being makes no sense in the context of the play. Act II is all over the place, Otho's inclusion makes no sense with the way Delia's character has been redefined, turning Juno into BJ's mother (and a villain) for a last minute chaotic climax (following a really questionable act by Lydia) comes out of left field, and dear God, ditch that godawful boy band number in Act II. The show definitely has promise and these things are fixable, so kudos if they get it done."
Agree 100%. Particularly about The Maitlands.
My theory on the biggest problem with the show is the shift of focus from them to Beetlejuice and Lydia.
The narrative and emotional through-line should be the childless couple discovering an adoptive daughter who is reaching out for something her own family can't give. But instead it is about a daughter struggling over the loss of her mother and distance from her father...and oh look, there's this other couple that they meet.
Plus Beetlejuice! and he's funny!
If they want to refocus things on BJ and Lydia, that's fine, but then they have to make hard decisions about how close they want to stay to the movie. I argue there are too many things that are there "Because they are in the movie" and for no other reason...and I would argue The Maitlands fall into this category too.
Oh, and the entire end "sequence", including Lydia's song, is a convoluted mess where they try to have their cake and eat it too.
Baritone in search of a role in a new musical...
Updated On: 2/7/19 at 05:33 PM