The State of Broadway
I don't know much about the intricate workings at play here, but Broadway feels a little bit like a mafia. A series of monopolies, forcing costs to be exorbitant. Does anyone here have insight into this? Why does everyone use the same company to load up sets when a run closes? Is everyone using the same scene shop/set builders? Do producers really have a choice, or is it virtually impossible as things are to reduce costs?