What's interesting here is how this came to pass. DEUCE was on the Primary Stages schedule for this season, with Seldes and a star to be named (Zoe Caldwell's been mentioned at this boards, but not confirmed) and was yanked, apparently ungraciously, once Lansbury's interest was known. So it wasn't read only by a handful of zealous folk looking to nab Angela.
Had this opened at Primary Stages, off-broadway, small, with less fanfare, perhaps the play's shortcomings would've been seen rather differently. But in the glare of the primo spotlight, a new play has a very different impact. It'snot just that shortcomings are magnified -- it's the level of expectation about the substance, the overall weight of the evening. What is thin on Broadway is a character sketch, or a "small canavas" play in an off-broadway house.
But once Lansbury chose this for her return, the play took on a whiff of Something Important, or at least, something of substance.
But wait -- wasn't it McNally who had the big falling out with Lynn Meadow at MTC because she pulled one of his plays that was undercooked?
It's terrific to be prolific, but perhaps Mr. M freezes his own plays before digging in and doing the hard work of revision. DEUCE might've done well to start at the Westport Playhouse or some such to test the play's chops independent of stars turns.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling