Leading Actor Joined: 1/27/15
Broadway Legend Joined: 5/28/05
Sure, but so was Aladdin, and that is still nowhere to be seen. I'll believe it when I see it.
Stand-by Joined: 12/14/19
Theatre Fan3 said: "Proshot of Frozen The Musical reportedly set for Disney+"
This actually makes a lot of sense and if it's true, I'm glad it's the superior West End version.
jimmycurry01 said: "Sure, but so wasAladdin, and that is still nowhere to be seen. I'll believe it when I see it."
The issue with the Aladdin pro-shot is Jonathan Freeman
windowwaving said: "Theatre Fan3 said: "Proshot of Frozen The Musical reportedly set for Disney+"
This actually makes a lot of sense and if it's true, I'm glad it's the superior West End version."
I've never seen the production anywhere - what makes the West End one superior?
Broadway Legend Joined: 8/12/09
FANtomFollies said: "windowwaving said: "Theatre Fan3 said: "Proshot of Frozen The Musical reportedly set for Disney+"
This actually makes a lot of sense and if it's true, I'm glad it's the superior West End version."
I've never seen the production anywhere - what makes the West End one superior?"
The only thing I know of is that the Climax of Let It Go isn't underwhelming as hell anymore with no set pieces and just projections and a curtain.
https://youtu.be/ukdcST6tHzQ?si=k5YyP_ub7gINFmnx
Broadway Star Joined: 6/16/17
Glad they filmed the West End production. The visuals are so much better.
I saw the national tour and even with a staircase to hide the reveal and some new lighting, the stage looked dark and barren.
How Disney fumbled the ball on this should be studied in theatre courses for years to come. Who in their right mind thought Michael Grandage was the best choice to direct this show? I still wish we could see Alex Timbers and Bob Crowleys design concepts for their version of the show.
Call_me_jorge said: "I still wish we could see Alex Timbers and Bob Crowleys design concepts for their version of the show."
SAME! I would love to see what could have been... I liked the Broadway production more than most, and I think it got progressively better with each iteration (Broadway, National Tour, and finally the West End production which had the most spectacle)... I do think a better stage adaptation was possible in the hands of a better creative them, though.
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