jimmycurry01 said: "Sure, but so wasAladdin, and that is still nowhere to be seen. I'll believe it when I see it."
The issue with the Aladdin pro-shot is Jonathan Freeman
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
How Disney fumbled the ball on this should be studied in theatre courses for years to come. Who in their right mind thought Michael Grandage was the best choice to direct this show? I still wish we could see Alex Timbers and Bob Crowleys design concepts for their version of the show.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
Call_me_jorge said: "I still wish we could see Alex Timbers and Bob Crowleys design concepts for their version of the show."
SAME! I would love to see what could have been... I liked the Broadway production more than most, and I think it got progressively better with each iteration (Broadway, National Tour, and finally the West End production which had the most spectacle)... I do think a better stage adaptation was possible in the hands of a better creative them, though.
"There’s nothing quite like the power and the passion of Broadway music. "