Flops That Got Revivals — Page 4
Posted: 11/5/08 at 4:23pm
Posted: 11/5/08 at 4:51pm
I don't think we can pretend Sondheim has had amazing critical success in most of his shows, either...I can't verify this. But I'm sure if we look back a lot of his shows that were flops were also met with mixed (or not overwhelming) critical success..
Posted: 11/5/08 at 5:14pm
Well, it depends on your definition of overwhelming critical success. I've read the reviews for all of the shows, and with the exception of Pacific Overtures, Merrily and Assassins, they all got generally favorable reviews, and even Pacific Overtures got a whole bunch of favorable reviews. Not universally favorable, but generally favorable with many raves, some mixed and some negative.
Look at the New York Drama Critics' Circle Awards. The following shows for which he wrote both music and lyrics won the best musical award from the group: Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd, Sunday in the Park With George, and Into the Woods. I may be misremembering but I think all of those except, strangely, A Little Night Music won on the first ballot with a simple majority.
Posted: 11/5/08 at 7:56pm
Posted: 11/5/08 at 9:33pm
Well, at his age, who WOULDN'T be floppy?
Posted: 11/5/08 at 9:58pm
Here’s the status on the shows that opened on Broadway for commercial runs:
WEST SIDE STORY
Reviews - 7 Favourable
$ Status: HIT
GYPSY
Reviews - 7 Favourable
$ Status: HIT
A FUNNY THING…FORUM
Reviews - 5 Favourable, 1 mixed, 1 unfavorable
$ Status: HIT
ANYONE CAN WHISTLE
Reviews - 2 Favourable, 1 mixed, 3 unfavourable
$ Status: FLOP
DO I HEAR A WALTZ?
Reviews - 2 Favourable, 1 mixed, 3 unfavourable
$ Status: FLOP
COMPANY
Reviews - 5 Favourable, 1 unfavourable
$ Status: HIT
FOLLIES
Reviews - 4 Favourable, 1 mixed, 1 unfavourable
$ Status: FLOP
A LITTLE NIGHT MUSIC
Reviews - 3 Favourable, 1 mixed, 1 unfavourable
$ Status: HIT
PACIFIC OVERTURES
Reviews - 3 Favourable, 3 unfavourable
$ Status: FLOP
SIDE BY SIDE BY SONDHEIM
Reviews - 4 Favourable, 2 unfavourable
$ Status: HIT
SWEENEY TODD
Reviews - 5 Favourable, 1 unfavourable
$ Status: HIT (Show recouped post-Broadway)
MERRILY WE ROLL ALONG
Reviews - 1 Favourable, 5 unfavourable
$ Status: FLOP
SUNDAY IN THE PARK WITH GEORGE
Reviews - 2 Favourable, 1 mixed, 4 unfavourable
$ Status: FLOP
INTO THE WOODS
Reviews: 8 Favourable, 6 mixed
$ Status: HIT (recouped post-Broadway)
PASSION
Reviews - 8 Favourable, 5 mixed, 10 unfavourable
$ Status: FLOP
Note that by the late 1980s Variety’s tabulation of reviews started taking in more than just the 7 major papers including radio, TV and some publications beyond New York.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
Updated On: 11/5/08 at 09:58 PM
Posted: 11/5/08 at 10:32pm
66 Favourable vs 52 Mixed/unfavourable
Success rate 56% (Critically)
Updated On: 11/5/08 at 10:32 PM
Posted: 11/5/08 at 10:57pm
I like that now there are more reviews being filed, but it makes it harder for any show to get across-the-board favourables. (Even on BWW every show has detractors.)
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
Posted: 11/5/08 at 11:18pm
Posted: 11/6/08 at 9:57am
Posted: 11/6/08 at 10:54am
Personally, I think that those clauses should always be in investment contracts, if they help attract investors!
Posted: 11/6/08 at 11:14am
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
Posted: 11/6/08 at 12:08pm
Posted: 11/6/08 at 12:56pm
In some cases, again, depending on the rights, the original producer can continue to earn royalty payments for any production of the piece in the next ten years or so. The idea is that the exposure provided by the original production inspired the other productions. Basically, the author would not be making any money off those productions if the original producer had never come along, so the author gives him a percentage of royalties as a sort of thank-you.
That means a producer can produce a show on Broadway and have it close a flop. Nine years later, someone else comes along and produces it and it's a huge hit. Without doing anything, the producer of the original production will earn royalties and perhaps eventually be able to recoup, turning the status of his original production into a hit.
Everything in life is only for now. ~ Avenue Q
There is no future, there is no past. I live this moment as my last. ~ Rent
Posted: 11/6/08 at 1:16pm
Posted: 11/6/08 at 4:11pm
66 Favourable vs 52 Mixed/unfavourable
Success rate 56% (Critically)"
Or you could make it 83 favorable/mixed vs. 35 unfavourable.
But essentially I think those tallys are somewhat deceptive in terms of which reviews they counted.
That's not to say that any of the shows got universally favorable reviews. They didn't. But the overall critical reception for some of the shows was better than you'd necessarily think from those tallys.
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