Dramamama, I think there are plenty of easy rewrites to the book that can make the story move along with fewer plot holes and more character development, but unless they have time to write a new score in a week, I don’t think there’s anything that can be done to completely turn it around.
Even simply expanding the timeframe from the unrealistic one week to something like three months would allow the story to make so much more sense.
If it has been gestating for so long though, I doubt they’re willing (or able) to make the necessary changes now.
I always wonder why some changes take so long to implement when they are so obvious. I just read in the Head Over Heels thread that the show is down to 2 hours 5 minutes with an intermission. Well duh! Anyone could have seen that show need to be severely trimmed and ideally be 100 intermissionless minutes. Why wasn’t this done after the out of town? Isn’t that what out of towns are for? Why bring it in as is for New York audiences to groan at the padded length and make the needed changes the last week of previews?
Why isn’t Pretty Woman having a second try-out in Boston after swapping out a leading man and several songs. It sounds like the book and score needed some serious work after Chicago, which is fine. Take the time to fix it, have a second try-out and then bring it in.
In the Golden Age, I would say it was the norm to have a multiple city try-out period. I know it’s more expensive to do that now, but get it right on the road before coming to New York.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!