"Superficiality is a bane of this uncertain show, for which Creel wrote the book, lyrics and soft-pop music. Commissioned by the Met’s Live Arts Department, and performed at the museum in 2021, it has the dispiriting feel of an advertisement for the Met’s collections — and despite the dozens of artworks projected upstage, not a persuasive one."
"As a longtime fan of Creel’s, I admit that I was sold on Walk on Through before I walked through the door. But this engaging and insightful performance will surely earn him new admirers. It's a joy to behold fine art through his eyes. If you don’t know Creel already, you’ll leave happy to have met."
"Superficiality is a bane of this uncertain show, for which Creel wrote the book, lyrics and soft-pop music. Commissioned by the Met’s Live Arts Department, and performed at the museum in 2021, it has the dispiriting feel of an advertisement for the Met’s collections — and despite the dozens of artworks projected upstage, not a persuasive one.""
Having not seen the show, this strikes me as a surprisingly cynical review.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
"Once inside the famous landmark, Creel looked at art – and himself – to create this enjoyable work commissioned by the Met. Walk On Through is a deeply personal, though jumbled, concert-style memoir and meditation on the power of art."
Kad said: "Having not seen the show, this strikes me as a surprisingly cynical review."
Having seen it twice, I find this review annoyingly cynical. It almost feels like she's laser-focused on the fact it was commissioned by the Met and is picking apart where it feels like a commercial, completely disregarding that Creel does some pretty heavy physical and emotional labor in both having crafted and performing this show nightly.
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"“Walk on Through” is at its best when Creel chucks his life story to delve into his very idiosyncratic yet universal feelings and ideas about art. Like, how looking at lots of perfect marble buttocks and pecs can be a great aphrodisiac. Or, what happens when you fall in love with the guy in Vesvolod Mikhailovich Garshin’s “Illia Repin” who turned out to kill himself? Or, how two people (Creel and Ryan Vasquez) can harbor such different reactions to Edward Hopper’s “From Williamsburg Bridge”?
Less wonderful is Creel’s need to satisfy modern musical-theater taste, which demands a caterwauling 11 o’clock female-empowerment number, sung by Sasha Allen, that analyzes “Judith With the Head of Holofernes,” by Lucas Cranach the Elder."
Anyone need two tix for next Wednesday, the 20th at 7 pm? Aisle seats that I paid $104/each for, including charges. Turns out I double booked. Would love to get what I spent, if possible.
If anyone wants one (or both) tickets that I have for Wednesday at 7, I’m happy to consider any offer! I double-booked and am now seeing the show on Friday but haven’t found a taker yet for my pair this coming Wednesday.