#26
Posted: 4/27/04 at 11:38am
I think Blythe Danner would be an excellent Desiree with Christine Baranski as Charlotte. Michael Cerveris was an amazing Carl-Magnus in Chicago. I could also see Kelsey Grammer as Frederick. Henrik will be tough to cast, though. It would be nice if they could get a tenor who was a real cello player for a change (like me!). Ann and Henrik must be the toughest parts to play in the show. If not directed properly, they can come across as flat and one-note characters (I've seen it ahppen). The honest sincerity is the key to this pair. They could easily steal the show as much as Karl-Magnus and Charlotte if given the opportunity. The funny thing about this show, every time I've seen it, the scenes between Desiree and Frederick are often the slowest scenes that drag the show down. All the other characters seem to be much more interesting and entertaining. I love the show, but I would like to see a production in which Frederick and Desiree are just as funny and charming as the rest of the characters rather than simply being the characters burdened with the dramatic elements.
And I hate the quintet. Rarely are they ever used well. I know they have names in the program, but nothing in the show explains who they are or why they are there. They are always dressed as if attending a party and come and go like a Greek chorus commenting on the action or revealing thoughts, but I have always found them quite annoying and I want to simply get on with the story. If they were used in such a way to either be characters more integrated with the story, such as gossiping servants, then they would make more sense. Either that, or make they completely different from the rest of the cast, like Midsummer fairies or something. In one production, they were in shimmery makeup to look like porcelain music-box figures. A good idea, but they looked so creepy, it was more disturbing than effective.
And I hate the quintet. Rarely are they ever used well. I know they have names in the program, but nothing in the show explains who they are or why they are there. They are always dressed as if attending a party and come and go like a Greek chorus commenting on the action or revealing thoughts, but I have always found them quite annoying and I want to simply get on with the story. If they were used in such a way to either be characters more integrated with the story, such as gossiping servants, then they would make more sense. Either that, or make they completely different from the rest of the cast, like Midsummer fairies or something. In one production, they were in shimmery makeup to look like porcelain music-box figures. A good idea, but they looked so creepy, it was more disturbing than effective.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian