THE LION KING: B. It's a good performance, but I take points off because I have always hated the Lion King, especially the song Circle of Life.
IN THE HEIGHTS: B+. All the best aspects of the show on display, but 96,000 is better in the theatre.
XANADU: B. I wanted more of the Muses, dammit.
GREASE: D+. Grease Is the Word should never have been put into the show in the first place. One of the Pink Ladies (Marty, I think) looked like Bette Midler.
GYPSY: A+. Patti, I love you. And way to go Laura Benanti and Boyd Gaines for making the most of their no-lines.
PASSING STRANGE: B. I love this show in the face, and they did good. This was maybe not the best choice of songs to perform.
CRY-BABY: C. The song's stupid. The idea of tapdancing with liscence plates is...interesting. The dancing was good.
RENT: B-. This was not what it promised to be, nor was it very good. The current Mark blows. I love the crazy Idina fans screaming when she had her one PSA line.
A CATERED AFFAIR: B. The faults of this number were not the faults of Faith Prince or the music so much as "this is not their stage". It made less sense, both in display and in Prince's performance, than it should.
YOUNG FRANKENSTEIN: B+. Mulally and Andrea Martin are the best things in this show, and I'm glad at least one of them got to perform. Also, the song is pretty funny.
THE LITTLE MERMAID: C-. Sierra Boggess looked so damn confused. And that damn tail...agh. And the transition between the song and its reprise was awkward.
SOUTH PACIFIC: B+. I want to see this again! I dislike medleys as a rule, and I'm sad Bali Hai was relegated to the pre-show, but I like the songs they had here. As long as I get to see Kelli O'Hara owning I'm in Love with a Wonderful Guy, I'm pretty happy.
SUNDAY IN THE PARK: B-. Cameras, PLEASE BACK UP FROM DANIEL EVANS' FACE. They sounded amazing, but Evans is almost too intense in the theatre, which was amplified by the cameras.
Burn the witch
The witch is dead
Burn the witch
Just bring me back her head