I'm sure you're right, but the basic point remains the same - nothing in the Brown
oeuvre has either generated much income, been embraced by significant numbers of ticket buyers, or even (until
Bridges) met with much critical acclaim (at least from the Times).
And, even with 2 extensions, a 6-week run is still what many would call a relatively brief run (despite whatever the perceived quality of the production was).
Any one of those three factors above can be dismissed, of course, but as a group, they inspire an interesting question - why do producers continue to think his next show will be the charm? That the next one might make even it to the 3-month mark?
Updated On: 6/17/14 at 01:02 PM