So, I finally sat in the original seat I bought in February, dress circle M 111. The view was really great, and, at $40 per part, an amazing deal. Except for missing the full-theatre effect at the end of Act 1 of Part 2 (it's still on the overhang, though), the balcony doesn't obstruct at all. The effect at the end of Part One is fully visible. I'm short, and I had no problems with heads in the way, without a seat cushion. If you're sitting any distance from the stage, though, in any of the sections, I highly recommend bringing binoculars. The production has many large-scale moments, but there are also long scenes with just dialogue, where the actors stand or sit in the same place for extended periods. For those parts, I found it helpful to watch through the binoculars. The show has many things that make it special, but the performances of the London transfers really elevate the material, and I think it's difficult to appreciate them fully if you can't see their faces. I've seen the show 3.5 times, from row H of the balcony, row M of the dress circle, and rows AA and E of the orchestra. I've been very happy with all of them, but the front orchestra seats were my favorites, by far.
Updated On: 6/21/18 at 12:12 PM
