Still baffled by the process here, all of the workshopping and out of town vis a vis what's on view in October 2012. The last production in Seattle created a sea of indifferent press, all available to read, much posted here and elsewhere, yet managed to engage serious producers' interests and financing. Even considering their subjective religious investment, who expected big financial returns on this property in 2012? The show's absence of a point of view is the most telling. There's no Che character to EVITA-ize, and if it's a neutral, history channel take, with narrative omnicience and a journalistic objectivity, why bother? Docudrama with power ballads? This is a strange project about a great subject, made stranger by its journey, the track record of its creative team, and finally the pile-on of backers and its absence of a star above the title to pull in a wide demographic of audience members, which the gifted Carmello cannot do.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling