"The problem with a SECRET GARDEN revival is it would be hard to live up to memories of the original production, which was as close to musical theater perfection as one might ever get. Of course, new fans who never saw the original would fall in love with it. But anyone who saw the original would just be sitting in the theater shaking their head in dismay."
While my memories of the tour are faded, I agree it was an exquisite production. However--and it pains me to say this as I'm someone who often would happily have people revive a show in its original production--this could be said about a number of legendary productions, Follies springs most immediately to mind.
Add to that, the original production surely didn't recoup (but maybe it did on tour?). I actually remember some talk at the time about it not quite getting the reception it should because it was a show so overwhelmingly created by women--writers Marsha Norman and Lucy Simon, director Susan H Schulman, designer Heidi Landesman. Some of that is pretty silly, but it is true that it's rare to see so many women in charge of a major, big budget Broadway show (sadly), especially back then.
I had been wondering what happened to Schulman as well. It seems to me she first really got major mainstream praise for her late 80s, intimate revival of Sweeney Todd at Circle in the Square that Sondheim liked so much. I know she later did the Sound of Music revival which I paid zero attention to, and Little Women which I believe did get praise for its direction and performances but not its writing (I think she also did a lot of non Broadway stuff like the York Theater production of Merrily We Roll Along).
My Oh My, I believe they did take the exact same set on tour once it closed. Just inspired, and another reason why the London much more literal version seems to lose the magic.
I know some of Norman's later work, but as I mentioned before would love to hear the reaction to Zhivago and Lucy Simon's score from people who are fans of Secret Garden--the recent Australian production seemed to get decent notices but not much else, but I'd love to hear more stage music from her.