It's obvious why it won the Tony's. The design is amazing, the score is not the best, but good nonetheless, and overall it is one of the most original fresh shows broadway has seen in a long time. It dares to be different, very much like RENT when it first opened. Personally I will never understand how it won for best choreography...but still, I can see why it won, even if it isn't one of the best shows out there.
THEATRE 2016:
Grey Gardens; SwkPlayhouse, Cats; London Palladium, Into the Woods; Royal Exchange, Show Boat; Sheffield Crucible, Les Liaisons Dangereuses, Prsicilla Queen of the Desert; UK Tour, Narrative; RWCMD, Mojo; RWCMD, The Barber of Seville; WNO, Rabbit Hole; Hampstead, The Marriage of Figaro; WNO, Figaro Gets a Divorce; WNO, Tom: The Musical; UK Tour
Upcoming: Anything Can Happen; RWCMD, Cysgy'n Brys'ur, Long Day's Journey Into Night; Bristol Old Vic, Only the Brave, The Caretaker; The Old Vic, People Places and Things, Blue/Orange; Young Vic, Bernadette Peters, Carole King, Harry Potter and the Cursed Child Parts I & II