IF/THEN -- Survey Says...

Greetings, all!

I come to you with another question. This time, about IF/THEN.

Do I spend the (discounted) ticket price, or not?

Is it worth it to go to the Rodgers for this?

I'm VERY torn.

I honestly don't know WHAT to make of this one...

Best,
- M

Not a perfect show but it's trying to do something very ambitious on the broadway musical stage, and for that should be applauded. Challenging concept carried out in script, score, performances (especially LaChanze) and some dynamite staging. I wish I had liked the songs better, but that didn't stop me from chewing on the material for days afterward, and in a good way. And for Pete's sake, at least it's an ORIGINAL idea with an ORIGINAL score. That alone deserves bravos and butts in the seats. I'd suggest getting orchestra seats rather than mezz where we sat, just to fully appreciate the magical effects created by the turntable and overhead mirror unit. Enjoy!

It was the least enjoyable night I had in a Broadway theater this year. It didn't even have the benefit of being so bad that it entertained that way (hey, Soul Doctor). Menzel is doing great work, but the show itself is a disaster, every song says the same thing, the book is an overstuffed bag of cliches, and the physical production is an eyesore. Don't bother. Forget the money; save your TIME.

I saw it last night. In one scene, Idina is talking seriously to another character while putting a cardigan on. She couldn't get the sweater on and it was hilarious and the whole audience was laughing with her and she had to take a few minutes to regain composure.

That was the best part by far...

Unless you REALLY LIKE the cast, I would say pass on this. That is all I am going to say about it.

I'm definitely in the "loved it" category as well. I had a wonderful evening at this show. Admittedly I am a huge fan of Idina Menzel, I went into this show with an open mind since the reviews were so mixed. The plot is very fast-paced and you have to pay attention to detail, but I enjoyed having to use my brain a little during it. It's refreshing to see a show focused less on a black-and-white story and more on a universal message. Plus the score is incredible, especially how it is so seemlessly woven into the show alongside the book.

I think it's a great production. Everyone in my group of four loved it, and we're still talking about it a week later. A POWERHOUSE cast that brings the house down with a gorgeous score, plus a rapidly moving story that opens itself up to interpretation by the viewers. It's different, that's for sure. But it's a well-put-together show that I would love to see again and again.

I unequivocally loved every damn second of this show. I would definitely recommend seeing this. There was never a dull moment, and I was completely caught up in the story. Idina Menzel is really really great, and seeing her sing Always Starting Over live is reason enough to see this live.

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Add me to the list of those who love the show. I admit the reviews had me worried, but I came out of theater having loved every second of the show. I'm not sure why the critics were so confused? Maybe knowing I needed to pay attention going in was why I didn't have any problems with any part of the show. There were three other people in my group and we all loved it. I plan on going back to see it. If you buy the discounted seats you will still have a good enough seat. We were in the top mezzanine and didn't feel like we missed any part of the show. That being said, I would like to get better seats next time just to see what the mirror and all of the staging looks like from a lower section.
A few days after the show and my friends and I were out to dinner and started discussing the show. It definitely gets into your head (even more so than the movie Sliding Doors). I spent last week at work streaming the songs on USA Today's site and will purchase the music next week.

Yes, I say it's worth it.

I appreciate all of this feedback, you guys!

Any preference as to whether front row is worth my while?

Not a fan. Skip it.

I enjoyed it and hope to see it again. We are so used to going into a show either already knowing the story or the music or both. So I guess that part of our brain doesn' t have to work so hard! It was nice to see something completely original where you had to pay attention to the story, the music amd lyrics. I was actually humming a few of the songs at intermission. I left the theater a bit elated.

I missed Bridges and will not pay to see Beautiful but for me, it was good enough to be nominated over any jukebox musical. If I want to hear Carol King or Four Seasons music, I will put on the albums or cds. I already know most of their life stories but will buy their books if I want to know more. It' s cheaper.

So, I say go. I sat in the front mezz (a loser's lottery ticket for fifty bucks) and had a great view of everything. The effects with the big mirror we're really cool up there.

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Updated On: 6/1/14 at 08:33 AM

And for Pete's sake, at least it's an ORIGINAL idea with an ORIGINAL score. That alone deserves bravos and butts in the seats.

That sort of thinking always makes me laugh. Originality has nothing to do with the quality of the book, score, staging, direction, design or performances. I don't know why anyone would think an original book musical should get a free pass.

I enjoyed aspects of the show. Idina is radiant and La Chanze very nearly runs away with the show. I loved the sets and the staging. But I was never really engaged in the story and I found most of the score flat and unmemorable. I'm always baffled when I hear the show described as "brave". It makes no sense. There is nothing particularly brave about the show at all except that they got Idina to do it and so far, her participation has paid off.

The structure is similar to Sliding Doors and if the two story lines had been extracted and placed in each act, then it would have been like London's best musical winner, Our House. I found If/Then to be a somewhat disappointing step down from Next to Normal. Hell, I even saw a small local production of High Fidelity I enjoyed more. I didn't think it was a "bad" show, just the least enjoyable show I saw on this particular visit to NYC.

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I am also one of those people who actually really enjoyed the show. I was challenge by the plot and made to pay attention. The score is actually really amazing and I've been obsessed with it ever since. There are some things that could have maybe been done better within the show; however, I found the overall production of the show well worth the money. I'm an Idina fan but I would have liked it even if she wasn't in it. Personally, I would suggest to go see it.