Is "South Pacific" REALLY that good? — Page 2

Jesus.

Are you kidding me? I said, "IMO". Of course it CAN be argued and it often is on this very board by people who didn't appreciate the previously mentioned performances as much as myself and others have. IN MY OPINION, however, the argument is pointless because I think those three performances are peerless.

Sorry to have bothered you and thanks so much for nitpicking. I meant no harm and you should know that.

I have this strange feeling Kelli could pull out a win for best actress.

---

I hope it is that good. I bought tickets for 2 shows in case it IS that good (good seats, too.) . But if not, I'm sure it will be "good enough". I'm not worried.

Wow! I did not know this thread existed! I just asked this question in my other thread about the Hirschfield and saw this one when I came out of my post!

It's good. I don't think it's as good as most folks are making it out to be. I found the SUNDAY revival to be far superior. But SOUTH PACIFIC is the show with commercial appeal, and they've already practically promised a tour, so it's obvious that the Tony will go to that show. If I were voting, I'd choose SUNDAY.

---

Yes, it is a strong year for revivals.

South Pacific is excellent, and will probably win a well deserved Tony. I agree with WBaF that my personal vote would go to SITPWG.

Similarly, although it looks as if Patti will take home a well deserved Tony in a month, my vote will go to Jenna Russell.

---

I was at the matinee too. I had seen this production during previews and enjoyed it but it has actually gotten even better since March. The music is so moving, and the large orchestra sound is overwhelming. I thought each of the principals has developed a clearer sense of who they are and how they progress during the show. But I was most impressed by Paulo Szot who was wonderful in March but a little stiff and very restrained. Now he wins me over in every scene - and his acting is sincere, unforced and touching. I had always considered the de Becque character to be one-dimensional, defined by his vocal performance and his heroic part in the plot. But Paulo Szot has made him into a proud/happy/angry/funny/loving man. Extraordinary development for his first Broadway effort, and an exercise that will stand him in good stead as an opera singer, too. Any award nomination he gets is well deserved. Bravo!

I'll let you know on when I get back from seeing it on the 22nd...I can't wait!

It is worth seeing over and over again. It's an execellent production. The layout of the theatre with the stage moving to present the orchestra during the overture adds to the magnificence and excitement of MY FAVORITE MUSICAL!

It's a must see for anyone who wants to experience the overwhelming emotions of one of the most romantic classics ever. With it's beautiful music and romantic storyline, it's a treasure!
I can't wait to see it again.

I'm hearing that people are getting 'day of' tickets through the canellation line. (not sure how true this is) If it's a show you are dying to see, I personally would not wait to get tickets...especially if you are planning to see it after the Tony's. And yes, the ticket price (I believe) does not change if you buy it the day of, versus weeks, months before.