I find myself hewing toward the explanation Jeff Goldblum's character had in "Jurassic Park"
"I’ll tell you the problem with the scientific power that you’re using here: it didn’t require any discipline to attain it. You read what others had done and you took the next step. You didn’t earn the knowledge for yourselves, so you don’t take any responsibility… for it. You stood on the shoulders of geniuses to accomplish something as fast as you could and before you even knew what you had you patented it and packaged it and slapped it on a plastic lunchbox, and now you’re selling it. You want to sell it!"
This is the conundrum faced by Broadway producers. It doesn't take courage to produce a show with Daniel Radcliffe. Let's face it, he could be doing Charley's Aunt and his fans would come.
These revivals with "celebrities" diminish whatever luster Broadway had left and reduces it to theme park level - a n opulunt but generally dim version of the original.
It makes buckets of money but if more and more producers follow this course, guys like Hunter Foster are in trouble.
(Unless he can get a big role in a hit film.)
http://www.broadwayworld.com/board/readmessage.cfm?thread=972787#3631451
http://www.broadwayworld.com/board/readmessage.cfm?thread=963561#3533883
http://www.broadwayworld.com/board/readmessage.cfm?thread=955158#3440952
http://www.broadwayworld.com/board/readmessage.cfm?thread=954269#3427915
http://www.broadwayworld.com/board/readmessage.cfm?thread=955012#3441622
http://www.broadwayworld.com/board/readmessage.cfm?thread=954344#3428699