Well I caught this production again this afternoon. So far my track record with this production has not been good when it comes to attendance of the leading man. Ramin was out when I saw the show in the second week of previews, and Alfie Boe was out both times I tried to see him. And, of course, John Owen-Jones, was out this afternoon. I don't know what is going on with the schedule the Jean Valjeans with this production - especially since I have specifically asked at the box office on the day of the performance when I purchased my tickets if a certain Jean Valjean would be on and assured he would be, only then to arrive at the theatre that night to see he was out. It's not even that I am going on the same night. I have seen the show on a Monday, Saturday night, Sunday night, and Sunday afternoon, and there has been an understudy every time. It's disappointing.
The production is disappointing, and it has only gotten worse over the years. It is dirt cheap, and the cast (both leads and ensemble) are delivering passable, but very generic and unexciting performances. I think that Encores! would do a better job with the set design for one of their one weekend concerts of the show than what is currently being billed as a full fledged Broadway production at the Imperial. And lord knows they could find better vocalists.
You know there's a problem with the cast when the only standouts are Fantine and Eponine. Allison Luff's Fantine was out of this world amazing. It's such a shame she was only on stage for maybe fifteen minutes. She surpassed every cast member on that stage by MILES. She was definitely better than Caissie Levy and Montego Glover. Levy was passable, but Glover was pretty painful to watch. Also, Brennyn Lark's Eponine is simply fantastic. Beyond those those two, though, there are absolutely no standouts.
I can definitely see why this is closing in September. I have been disappointed in this production from the get go when I saw it on tour, but I have kept hoping the various cast changes would breathe new life into the production. Sadly, that has never been the case. However, I will say that Allison Luff's Fantine is worth the price of a ticket.
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