But the story itself is so dated, so thin and so dragging, I was bored out of my mind toward the end. I am surprised it's doing as well as it is, since to me that's one revival that did not need to be brought back. I am troubled by this comment.
While it may not be to your particular taste, it seems strange to call a show set 65 years ago dated. Truth is, it was dated when it opened in 1949.
The format of the show is no longer as innovative as it was in 1949 when the seamlessness of the staging - having one scene dissolve into another was quite revolutionary. Today we take that for granted.
Admittedly it is not the very bet of the R&H shows. Hammerstein's script may at time appear simplistic, but he was dealing with difficult issues for an audience who as often as not resented being told that racism was not acceptable.
Nothing can dim Rodgers' melodies and the production is given a crisp staging by Bartlet Sher that explores every subtle nuance of the script - even adding a few of his own such as giving "Happy Talk" more dramatic substance than it has ever had before.
To complain that the show is "thin" and "dragging" and that you were "bored" says more about you and what you expect from a show. Expectations that may have been fueled by the overblown and empty spectacles that litter Broadway these days. If that is what you enjoy, there are plenty of those types of shows around. But this revival of SOUTH PACIFIC is long overdue, and just about the best representation of this show as we'll ever likely see.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com