Posted: 3/1/18 at 8:16pm
Well, one might argue that suddenly deciding "OMG, I've really wanted to spend my life with the emotionally damaged murderer ALL ALONG!" has an element of romantic delusion in it . . .
And one might argue that millions of audience members have cried with romantic delusional sympathy over the emotionally damaged murderer cum tragically romantic anti-hero during the bows of POTO.
How does she go from literally helping Raoul into the Phantom's lair to save Christine to being bitter and resentful towards Christine for running off with Raoul instead of staying for the Phantom's genius and art?
That's an easy one. Ten years spent devoted to her daughter's life and career. Before she was "literally helping Raoul", she knew about him and protected him.
So it seems like the lesson the Phantom learned at the end of the first show just doesn't matter anymore.
You assume there was a lesson learned and that he evolved and changed. The mob was closing in and he let them go and escaped.
Raoul, the guy who (not very wisely, I know) risks his life to save Christine becomes an abusive drunk.
We know literally nothing else about him. The fact that he's an abusive drunk is the most realistic thing (and easily the most interesting thing) about either show if you've ever known an alcoholic. People are just mad that he was a nice nobody that turned into a mean somebody and they just wanted him to remain the hot useless hunk, like Cinderella's Prince.
Christine, who has an entire love duet with her childhood sweetheart and is happily engaged to him, to the point where part of the reason she kisses the Phantom in the first place is to save Raoul's life, suddenly decides she wants the kidnapping, blackmailing murderer instead and flits off to have an affair the night before her wedding.
Her line before she kisses him is "God give me courage to show you are not alone". After they leave, who knows? You're trying to apply logic to an illogical plot and then criticize the sequel for being illogical. This is the girl who went off with the creepy guy who showed up in a mirror in her dressing room thinking he was her dead father. At what point do you stop laughing long enough to defend the character in such an absurd manner?
But the rest of the characters' actions in LND just don't match up at all with the first
They don't have to! And if they did, it would be twice as boring without the score and staging of the original.