I like how they're titling it "Love Never Dies: The Phantom Returns" as if people don't know what it's about.
Most people don't, actually.
I saw the London production (somewhere in the middle of rewrites) and I enjoyed some moments and truly hated some moments. The biggest glaring flaw was the ridiculous book, but The Beauty Underneath was the single WORST number ALW's written as well as the WORST number I've seen in any show. And Devil Take the Hindmost might not sound so stupid and devoid of tension if the tempo was increased above a snail's pace. The funny thing is, there are quite a few lovely melodies including one of his best, Coney Island Waltz, but the book and lyrics mostly undercut the melodies into unintentional comedic camp that no performer can save, try as they might. And they act as HARD as they can.
The Australian production improved on the staging, but not the book or score. And to me, moving Till I Hear You Sing to the beginning only lessened the (admittedly false) tension of the first act. It serves no purpose other than to patronize the audience with an early appearance of the Phantom. Otherwise, it's just a clumsy prelude to the story.
As for a US tour, I'll believe it when I see it. Until then, I just consider it silly gossip.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
Updated On: 9/23/15 at 10:36 AM