Wayman_Wong said: "The Pink News has a new interview with Conrad Ricamoradishing 'Murder' & sex, 'Maybe Happy Ending' & the need for more Asian representation on Broadway.
Conrad Ricamora's been busy, between playing Abe Lincoln and getting Tony-nominated for Cole Escola's Broadway hit of ''Oh, Mary!'' and spending the summer filming the sequel to ''The Devil Wears Prada,'' starring Meryl Streep. Tonight (Oct. 13), he's making his West End debut in ''RepresentAsian,'' featuring Asian musical-theater talent and hosted by ''EastEnders'' Nina Wadia, raising money for the Boury Academy, which supports young Asian actors in the U.K.
In a new interview, Ricamora reflects on his big TV breakout role as Oliver, a gay Asian on ''How to Get Away With Murder,'' in 2014. He says Asians and Asian-Americans around the world told him ''this was the first time they saw an Asian man have a sex life. ... And this was on ABC, which is owned by Disney!''
That battle for more Asian representation raged with the Broadway casting controversy over ''Maybe Happy Ending'' after a Caucasian actor replaced Darren Criss (for two months) in its lead role: “I loved [that musical] so much when I saw it. ” The show had been praised for its almost exclusively Asian cast, “and for that to be flipped, when we’re already lacking so much representation and especially for a show that’s set in Korea, I just … it really made no sense. It felt like we were stepping back into, like, the ‘90s with Jonathan Pryce playing The Engineer in 'Miss Saigon.' ... It just felt like this was in that vein of erasure and diminution.”
A raft of Asian stars, including Constance Wu, spoke out about the decision, with the show’s writers issuing a defense. In response, Ricamora took action, launching a scholarship fund to support male Asian-American actors in training. He started ‘The Right To Be There’ with $5,000 and currently, it’s at almost $70,000.
Ricamora says the controversy showed him ''progress is so fragile.'' ... Plus, there were social media detractors who questioned: Which Asian-American performers are big enough to replace a ticket-selling titan like Darren Criss? Ricamora laments: “And my thing is like, if you don’t cast Asian-American men in lead roles, they won’t get well-known and then they won’t be able to build a career. If you keep cutting us off at the knees, then we never get to build any continuity.”
Wayman, Gurrll, time to give it a rest. Criss is coming back soon, and all will be well with the world again.
Also kudos on working in the Jonathan Pryce saga yet again -- too bad you don't get royalties on that one.