You forgot to add "WHITE POWER!" at the end of your post, but don't worry, it was understood.
And if you don't understand that non-white people are just as capable of upholding systems of white supremacy as white folk, you really don't have a clue. (You probably also believe that women can't be misogynists or work against the interests of other women either. You would be wrong on that as well.)
Meanwhile, it's interesting that grosses went down for the final two weeks of the white savior the producers and so many people here claimed the show desperately needed to stay afloat, because it would surely tank with those icky, uppity Asians in the lead. If he were any kind of draw, wouldn't audiences have been clamoring to see him while they could? But he wasn't a draw, he wasn't needed, and the show would have survived just fine without him, because the recently crowned Tony winner for Best Musical was the draw, as anyone with any common sense knew.
But now Criss is back, and Feldman can get to work on his audition tape for the next revival of Flower Drum Song or something.
Updated On: 11/9/25 at 01:16 AM