ctorres23 said: There are obviously some lilly-white casts, there are a lot of casts that are mixed with significant POC representation, and then there are a handful of casts that are majority POC."
I think it's difficult to quantify how it feels to be a BIPOC audience member or BIPOC actor performing in one of these shows whether lily-white (The Prom, Beetlejuice, Mean Girls, Come From Away, Dear Evan Hansen, Bright Star, Fun Home, An American in Paris, Something Rotten) mixed with significant POC representation (Hadestown, Jagged Little Pill, Moulin Rouge, Spongebob, Frozen, Waitress, The Visit), or majority POC (Tina, Ain't Too Proud, The Band's Visit, Hamilton, Shuffle Along). And YMMV on whether you feel the "significant POC representation" feels like one or two token actors or if a bunch of ensemble members in a story that centers whiteness feels like enough. Also, I do think the majority POC shows tend to be biomusicals or historical in some way. Of course, there are exceptions like The Color Purple, In the Heights, Aladdin, and The Band's Visit but when there are so many book/movie adaptations, you're carrying over the same representation problems unless you make the effort to change up the casting/characters in the adaptation.