Mary Poppins Broadway - Alterations? — Page 2
Posted: 9/2/06 at 2:56am
Kindly do not make assumptions that Americans can't take a darker version of a much-beloved film. I know of several Americans, myself included, who saw the show in the West End and loved it all, even TEMPER TEMPER.
SMaxie, don't forget the Evil Queen in Snow White.
Updated On: 9/2/06 at 02:56 AM
Posted: 9/2/06 at 4:21am
I really don't think the content of 'Mary Poppins' can sensibly be linked to global politics.
Sure, protest and express your views in useful and appropriate places. Bitching about MP on this board seems rather redundant and self-indulgent, I'm afraid.
Posted: 9/2/06 at 5:41am
Posted: 9/2/06 at 10:08am
It's also interesting how flat and uninspired the dancing by Matthew Bourne is. I have always been a fan of his innovative wotk, but here he is out of his element.
Posted: 9/2/06 at 10:21am
Posted: 9/2/06 at 10:24am
No, but they certainly made it more uplifting by including the museum scene at the end. I wouldn't call the ending of the show "sad" because of that.
Posted: 9/2/06 at 10:34am
Posted: 9/2/06 at 10:35am
Posted: 9/2/06 at 11:04am
Posted: 9/2/06 at 11:20am
Posted: 9/2/06 at 11:30am
Posted: 9/2/06 at 1:25pm
Posted: 9/2/06 at 9:04pm
well I have my opinion on the show!!...I just can't see anything wrong in the show(appart from "jolly holiday") and I am sure ashley brown will be fabulous in it!!
Posted: 9/3/06 at 7:56am
HOWEVER, I want to just throw out there- what if removing "Temper, Temper" has absolutely nothing to do with changes for American audiences? How about the right that ALL shows have to alter things when opening another production? "Poppins" certainly wouldn't be the first show to have dropped something before opening in New York. When I saw the show in London I was of the opinion that "Temper, Temper" wasn't really working- and I'd like to think that had more to do with my eye for theater than my 'American-ness'.
Kay, the Thread-Jacking Jedi
Quando omni flunkus moritati (When all else fails, play dead...)
"... chasin' the music. Trying to get home."
Peter Gregus: "Where are my house right ladies?!"
(love you, girls! - 6/13/06)
Posted: 9/3/06 at 8:05am
Posted: 9/3/06 at 8:16am
However the Jolly Holiday scene has been altered as Bob has been able to do something different at the New Amsterdam that they physically couldn't accomplish in London.
http://www.laughingplace.com/tales
Posted: 9/3/06 at 12:50pm
Posted: 9/3/06 at 1:59pm
Posted: 9/3/06 at 2:59pm
Posted: 9/3/06 at 3:20pm
Posted: 9/3/06 at 7:21pm
I read an interview with Cameron Mackintosh where he acknowledged that although everyone loves the Disney film and loves its songs, he tried to preserve P L Travers' vision of the character of Mary Poppins; hence her starchier harder image in the stage adaptation. I understand that Cameron Mackintosh actually had face to face meetings with her in the early 90s when trying to prise the rights from her to create the musical - he definitely got to hear what she wanted!
Having seen the show, I thought it a clever fusion of Disney's and P L Travers vision of the Mary Poppins character. There are new songs in the vein of the film and others in the vein of the books; hence 'Temper Temper'. If there is any question of that being cut (I am only a theatregoer and not 'in the know') I don't think its anything to do with US audiences not being able to 'handle it' or needing to 'dumb it down' - I think its more of a case of aligning the show with the film for Disney. There was quite a bit of criticism in the UK about the 'frightening' parts for young children when it opened; I can quite understand Disney not wanting to get pilloried for that in the US where I imagine they are even more protective of their brand as selling very family-orientated entertainment.
By the way, Pamela Travers was an Australian who covered up her nationality in the UK. She was snobbish and a bit haughty - just like her vision of her famous creation!
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