Caught the show on Saturday night, and will be seeing it again on Friday. I was a huge fan of the Broadway production.
The tour is off to a fabulous start. Danielle Wade really knocks it out of the park as Cady, and (with the help of someone else's performance) really centers the production in a way I don't think Erika Henningsen did. Cady is firmly at the center of the story, and Wade's vocals were incredible. Much more belt than mix - unsure if it's sustainable but whenever she sang you could feel the room being drawn in.
Marah Rose Faith makes a fine Regina. She can sing her face off, and does when necessary. I think this is less a dig at Faith and more of a praise of Taylor Louderman, but Regina seems exceedingly supporting in this production. Louderman made you feel her presence even when she wasn't onstage. You never forgot about her. Faith doesn't have this quality, and because of that you really notice that Regina is absent for most of the second act.
The supporting cast are all excellent - Mary Kate Morriessy, Jonalyn Saxer, and Eric Huffman are all terrific. There was a minor set flub that stopped the show on Saturday night, with Huffman saying "DON'T LOOK AT THEM JUST DON'T" without a Plastic in sight. They reset to the button of "Where Do You Belong" and started again.
Now on the rewrites - I did not care for most of them. The attempt to place some of the "Fearless" melody into "It Roars" comes off as clunky, and trying to throw in some of the spirit of the original opening "Wild Life" also falls flat. I'm happy the lyric about eating cake in front of women with eating disorders was removed -it always seemed in poor taste. I do like the change to the end of "Fearless". Cady should take control at the end - having Regina take focus at the end of the act is working against the narrative. There were some minor joke/line changes here or there. The "tell him his hair looks sexy pushed back" line is gone, and I understand why, but it's replacement doesn't achieve the same goal.
Minor quibbles, as the show is still more or less the same. Catch it in your city if you can - the show still has tons of heart and the cast making their own mark on the material.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards