Rather than dwell on the negativity of others, we started this 'love thread' to focus on the positivity of its fans: to share their joy of 'Memphis.'
As for Chad Kimball, John Simon says: 'His summoning up of Huey is so perfect that not for a moment do you believe it is only acting.' What makes Chad's performance stand out for me, is that he's created in Huey an unforgettable and unique character in a new musical. For that reason alone, I hope that Frank Scheck's prediction in the Hollywood Reporter proves right: '[Kimball's] hilarious and ultimately deeply moving performance will be remembered at awards time.'
Also worthy of awards, along with Montego Glover, are David Bryan and Joe Di Pietro's toe-tapping songs. Michael Kuchwara of Associated Press called it 'a dandy original score that is as theatrical as it is tuneful, the very essence of what a Broadway musical should be.' And really underrated is Di Pietro's book, which skillfully blends an interracial romance with the story of how white America co-opted black music. In this tricky tale of boy-meets-girl, Di Pietro came up with an ending that isn't Pollyannish but still bittersweet and believable, and allows Huey and Felicia to reunite in the one world where they fell in love: in music.
Clearly, 'Memphis' really speaks to the 'Music in My Soul.' And based on the rapturous applause at each show I've seen, and the postings on this thread, I know I'm not alone. To everyone at the Shubert, keep 'Tearing Down the House,' and happy new year and hockadoo to all of 'Memphis' ' fantastical fans!
Updated On: 1/3/10 at 02:09 AM