#1
Posted: 2/6/08 at 6:56pm
Something has been bothering me since I saw Mary Poppins two months ago.
I was sitting in the back of the theatre (third to last row of orchestra) on the aisle. On the other side of the aisle was a wheelchair spot that was occupied by a person who had Downs Syndrome (mental retardation) in a wheelchair, sitting beside his mother. The person was not young, and obviously had a pretty severe case. The thing I couldn't help but notice was that he had been making noises a lot, and once the overture started the noises did not stop. Obviously, the sounds he was making were incredible audible because an usher came over to talk to this man and his mother. A few minutes later, they weren't seated there anymore.
Do you know if ushers have grounds to tell patrons to leave under this circumstances? Or do you think that they were just told to move to a different area of the theatre? I understand that it is very distracting to both the performers and the audience but it breaks my heart to think that, after probably receiving looks constantly and being constantly jeered at in everyday life, they were turned down from a Broadway experience.
Thoughts?
I was sitting in the back of the theatre (third to last row of orchestra) on the aisle. On the other side of the aisle was a wheelchair spot that was occupied by a person who had Downs Syndrome (mental retardation) in a wheelchair, sitting beside his mother. The person was not young, and obviously had a pretty severe case. The thing I couldn't help but notice was that he had been making noises a lot, and once the overture started the noises did not stop. Obviously, the sounds he was making were incredible audible because an usher came over to talk to this man and his mother. A few minutes later, they weren't seated there anymore.
Do you know if ushers have grounds to tell patrons to leave under this circumstances? Or do you think that they were just told to move to a different area of the theatre? I understand that it is very distracting to both the performers and the audience but it breaks my heart to think that, after probably receiving looks constantly and being constantly jeered at in everyday life, they were turned down from a Broadway experience.
Thoughts?
Call me Travis. :)