#2
Posted: 9/11/13 at 2:21pm
I love Cats, but that award would have to go to "Dallas... I'm Coming" from the Debbie Does Dallas musical. No question, no contest.
#3
Posted: 9/11/13 at 2:25pm
I don't know, but Rose's Turn has got to be way up the list.
#4
Posted: 9/11/13 at 2:26pm
Yeah the 'Everything's coming up Rose' section at the end of Rose's Turn is electric. Especially Lansbury's version.
Also the ending of Cabaret IMO - especially Natasha Richardson's version. Chilling.
Also the ending of Cabaret IMO - especially Natasha Richardson's version. Chilling.
#5
Posted: 9/11/13 at 2:31pm
"And I Am Telling You" has a show-stopping moment built into it. The number keeps going for about 16 bars after the audience has lost its mind, to say nothing of the character.
This has never not worked.
This has never not worked.
"If my life weren't funny, it would just be true. And that would be unacceptable."
--Carrie Fisher
#7
Posted: 9/11/13 at 2:42pm
It depends on what your definition of a climax is. In the musical sense, that's a tough one. In the literal sense, but within a musical theatre context, CATSNY is absolutely correct.
#9
Posted: 9/11/13 at 6:09pm
An obvious (and populist) choice... but I can't deny it - Defying Gravity
2nd choice - (tie) We'll Never Get to Heaven and Let them Hear You (Ragtime)
2nd choice - (tie) We'll Never Get to Heaven and Let them Hear You (Ragtime)
#10
Posted: 9/11/13 at 6:12pm
I nominate "Being Alive". Slow burn... explosion.
#12
Posted: 9/11/13 at 6:26pm
The part in Another Winter In a Summer Town from Grey Gardens when they go "my season endeeeeed a long time ago!"
<3 scott frankel
<3 scott frankel
#13
Posted: 9/11/13 at 6:32pm
"Happiness" from Passion, though the climax is at the beginning.
I'd say most of the best ones are from songs written for women ("Rose's Turn" from Gypsy, "Lot's Wife" from Caroline or Change, "Old Maid" from 110 in the Shade). The only male one I can think of is "Soliloquy" from Carousel.
I'd say most of the best ones are from songs written for women ("Rose's Turn" from Gypsy, "Lot's Wife" from Caroline or Change, "Old Maid" from 110 in the Shade). The only male one I can think of is "Soliloquy" from Carousel.
#14
Posted: 9/11/13 at 6:48pm
There has never been a time when I heard Memory that I didn't get goose bumps at that one special note - but only when it's sung by BETTY BUCKLEY.
<-----I'M TOTES ROLLING MY EYES
#15
Posted: 9/11/13 at 7:15pm
This is going to be based solely on cast recordings.
Matilda: That gorgeous moment in When I Grow Up when the key changes and the tempo picks up. "And when I grow up, I will have treats every day."
Grey Gardens: When Big and Little Edie hit the harmony on "My season eeeeeeended,"in Another Winter in a Summer town.
Matilda: That gorgeous moment in When I Grow Up when the key changes and the tempo picks up. "And when I grow up, I will have treats every day."
Grey Gardens: When Big and Little Edie hit the harmony on "My season eeeeeeended,"in Another Winter in a Summer town.
I know you.
I know you.
I know you.
#16
Posted: 9/11/13 at 7:19pm
"This is Not Over Yet" from PARADE is a pretty magical moment.
"I think lying to children is really important, it sets them off on the right track" -Sherie Rene Scott-
#17
Posted: 9/11/13 at 7:38pm
I'm glad someone mentioned "Soliloquy", but I'm a little chagrinned no one's mentioned "A Call From the Vatican" yet. Jane Krakowski is pretty epic on that revival recording, if we're taking the OP's question literally.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
#18
Posted: 9/11/13 at 7:58pm
"but only when it's sung by BETTY BUCKLEY."
There are a lot of fans of the late Laurie Beechman who would disagree with you on that one, Jane.
There are a lot of fans of the late Laurie Beechman who would disagree with you on that one, Jane.
#19
Posted: 9/11/13 at 8:45pm
Ted Neeley.
"WHYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY SHOULD I DIE?"
Never fails. Ever.
"WHYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY SHOULD I DIE?"
Never fails. Ever.
Formerly gvendo2005
Broadway Legend
joined: 5/1/05
Blocked: After Eight, suestorm, david_fick, emlodik, lovebwy, Dave28282, joevitus, BorisTomashevsky, Seb28
Broadway Legend
joined: 5/1/05
Blocked: After Eight, suestorm, david_fick, emlodik, lovebwy, Dave28282, joevitus, BorisTomashevsky, Seb28
#20
Posted: 9/11/13 at 8:45pm
Don't STOP BELIEVING Rock of Agea is about as Epic as it comes. The whole show comes out and sings with great reference of their characters "Journey" from main characters Sherrie and Drew to the strippers and burnouts.
FINDINGNAMO, SNAFU, THEATERDIVE, JORDANCATALONO, LIZASHEADBAND, PALJOEY: You all claim to "IGNORE ME" I wish you would and stop constantly commenting on my posts. Thanks ......................................................................................................................................
The MOST POPULAR and DANGEROUS Poster on BWW! Banned by the PTA, PTC and the MEANGIRLS of BWW.....................................................................................................................
...Ukraine Girls really knock me out, they leave the west behind..........................
#21
Posted: 9/11/13 at 8:49pm
For me, live, Once and For All from Newsies when the three levels are coming at you and the music just nails you. Never gets old for me.
#22
Posted: 9/11/13 at 9:08pm
For my money, it's the "Ol' Man River" Finale Ultimo of the 1951 film of SHOW BOAT. It just doesn't stop. Add to that the close-up of Ava Gardner gently blowing a kiss to the departing Cotton Blossom, and you have something to remember.
Well-well-well-what-do-you-think-of-that-I-have-nothing-here-to-pay-my-train-fare-with-only-large-bills-fives-and-sevens....
#23
Posted: 9/11/13 at 9:13pm
If we're talking about Newsies I love when the chorus comes crashing in at the end of the King of New York dance break.
I know you.
I know you.
I know you.
#24
Posted: 9/11/13 at 9:46pm
Oh COME on! Judge Turpin's climax during Johanna!
BroadwayWorld TV
Ticket Central