I'm not sure if this topic has been posted or not but anyway... what are some musicals you feel should've gotten a longer run and closed way too quickly?
For me, the top one is without a doubt Caroline, or Change.
The Mystery of Edwin Drood. I would've loved to see it run through at least May or June so they could pick up the awards and get the performance on the Tonys they deserved.
GREY GARDENS BONNIE & CLYDE BLOODY BLOODY ANDREW JACKSON RAGTIME (Revival) SIDE SHOW PARADE
But this is all subjective.
oh and obviously BOMBSHELL.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
Scottsboro Boys Ragtime(revival & original) The Full Monty A Chorus Line(revival) Chicago(original) Movin' Out Xanadu Company(original & '06 revival) Anything Goes(revival) Thoroughly Modern Millie
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I'll speak to a production that deserved a longer run outside of pure personal reasons or artistic merit but straight-up practical business matters: URINETOWN, which was essentially evicted from Broadway when Henry Miller's Theatre was demolished for the Bank of America Tower.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
Seriously, CITY OF ANGELS URINETOWN RAGTIME and for me personally, the revival of 1776. I was living in LA at the time and had booked a flight to NY for the last week of June, but the show ended up closing mid-June. I was sure it would have lasted until Independence Day week.
Huge musical fan ever since seeing SHENANDOAH at age 8 on B'way, followed by the '76 the revival of FIDDLER with Zero Mostel.
Working on my own Musical Comedy.