This role is definitely a hard pivot from MJ, so I appreciate the boldness in his choice of role for his stage return. These golden age musicals tend to require strong male dancers, and so if he’s anything like his MJ contemporary Aramie Payton was in After Midnight (Papermill), he should be fine.
I know the City Center production (which I presume this is a further modification of) was a critical bust, so I hope that time was spent well in improving those issues.
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