It's not "Company" without Tick Tock. They should find a dancer and have Donna McKechnie teach it to them.
I'd like to see Kristen Chenoweth do Amy.
And I call on Janus to work your magic to leave Marry Me A Little out of the show.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
I am a friend of Lincoln Center. just called and they were not accepting this as a valid group. They were only accepting Friends of the Philharmonic Are you a friend of the Philharmonic If you used your Lincoln Center membership how did you get on line I would love to buy tickets Would you be willing to give me the code ? thank you
After hearing him brilliantly sing Being Alive in Sondheim on Sondheim, Norm Lewis would have been my first choice, but I think Harris will be wonderful.
I love NPH, but there's no way in hell he can sing the score. He won't be able so sustain the long notes in the middle and at the end of Being Alive. And Lupone was terrible on the birthday celebration, so I hope they get someone else. Also, can Julie White please play Amy? I feel like she'd be so good.
Julie White would have made a fantastic Amy, but she's almost twenty years too old now; Amy is thirty-one in the script, and she states her age at one point in the scene after "Not Getting Married". I'm praying for Laura Benanti...
NPH is going to be a brilliant Bobby. Maybe not as great as Raul, but still. He has plenty of experience to sing a Sondheim score. He's done Assassins, Sweeney Todd, Evening Primrose. He's got this. Plus, that charm. How can you not want to be friends with someone as charming as that?
I really didn't think Patti was horrible on the Sondheim brithday celebration. And I usually am not a Patti fan. But that was a performance of her's I didn't despise. I really think they should call on Christine Baranski for Joanne, though.
WONDERFUL NEWS. Company deserves a full orchestra. Neil Patrick Harris will be absolutely terrific. Lonny is a wonderful director. Patti and Laura for Joanne and Amy sounds wonderful.
Current Avatar:The sensational Aaron Tveit in the soon to be hit production of Catch Me If You Can.
Julie White would have made a fantastic Amy, but she's almost twenty years too old now; Amy is thirty-one in the script
First of all, this is a New York Philharmonic CONCERT version. It's not like she has to be exactly the right age. (Lupone is too old for Joanne, but that's not going to matter). Secondly, Julie White very easily could look 31 from stage at Avery Fisher. The audience is going to be so far away from her anyway. Benanti would be good as well though (though she could totally milk Barcelona for all it's worth as April).
I'd love to see Jess Goldyn take on "Tick Tock." She's definitely age appropriate (where she really wasn't for Cassie, although I did like her dancing).
And if they leave out "Tick Tock," then I'm not gonna pay too much attention.
Do they say how old Joanne is in the script? I'm sure I could be forgetting, but I don't recall her being given an age.
I'd love to see Benanti, but I'd also like to see Veanne Cox reprise the role, since I was just a little too young to have seen her in the 1995 revival.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
I think LuPone as Joanne is an awful idea, probably bad enough to keep me away from this. I don't know if Joanne has a specific age, but Stritch was 45, and Barbara Walsh was 51. LuPone is 61. Even putting the age aside for a concert, I hated her take on Ladies Who Lunch. LuPone is old enough to be Bobby's mother.
"It does me no injury for my neighbour to say there are 20 gods or no god. It neither picks my pocket, nor breaks my leg."
-- Thomas Jefferson
I don't think LuPone should be allowed to work in theater, so I'd rather see anyone else.
This makes me laugh because not only do you not want her to play Joanne, you don't want her in theatre AT ALL.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Patrick Wilson has a film career arguably more prominent than his stage one, with Watchmen in particular being a movie in which he had a lead and was completely removed from his theatrical roots.
But he's not a *name*; that's the point. People within the industry know who he is, sure... but people within and outside the industry know immediately who and what NPH is: a draw.
But the Philharmonic isn't trying to sell tickets to tourists who see shows based on names. Mostly New York theatergoers will be seeing this concert, and they surely know who Patrick Wilson is. He is a two time Tony nominee, and Golden Globe and Emmy nominee.
I really think they should call on Christine Baranski for Joanne, though.
Ooh, I like this idea! I wouldn't say no to Patti either though...I really don't get all the hate for her "Ladies Who Lunch" on the Sondheim celebration, I thought she did a great job.
...and FWIW didn't Sondheim say that her performance was basically the best thing of the night in an interview? I don't get the hate either.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Hmmm. I'm so torn by this. He certainly wouldn't have been my first choice for Bobby. But I think it will be an interesting take. I adored him in Assassins, his "Finishing the Hat" is lovely, but by far, my favorite of his Sondheim performances is "If You Can Find Me, I'm Here".
"What a mystery this world. One day you love them and the next day you want to kill them a thousand times over." The Masked Bandit in THE FALL