Amazing. Nothing like seeing all those performers from all those different shows up there together. 2009 is (and perhaps always will be) my favorite but this was the best opening since then. This was heavy on NPH (who was brilliant) whereas '09 let the actual shows be the star.
And it was discussed in the "Official Tony" thread.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
I know there's a whole "code of magic" thing that normally surrounds these things, but how did NPH get from onstage to the back of the auditorium so quickly?
Agreed that it was the most cleverly designed and executed opening number I've ever seen on the Tonys. No more of that precious "Look at us, we're so gay" stuff that just doesn't seem so funny anymore. It celebrated the importance of the theater in a grand, opulent way. Well done, all.
"I know there's a whole "code of magic" thing that normally surrounds these things, but how did NPH get from onstage to the back of the auditorium so quickly?"
He sprinted down the aisle! I watched him do it twice in the rehearsal. The man is fabulous.
NPH was great and the number did show off Broadway well. The gratuitous slap at Les Miserables totally unnecessary considering most of the actors were stage performers and most of the people in the audience would have sold their souls to be in the film. Then there is the small matter that it takes talent to be able to to do 20 takes in a row of the same song live compared to singing it once a night.