Oprah + Audra 'Night Mother? — Page 2
Posted: 5/23/14 at 11:19am
Posted: 5/23/14 at 11:21am
Posted: 5/23/14 at 11:52am
Posted: 5/26/14 at 5:29am
If and when it happens, it will be a very exciting, very limited run.
Updated On: 5/26/14 at 05:29 AM
Posted: 5/26/14 at 9:08am
Disagree.
Jessie and Thelma are not two lower middle class women just a step above poverty.
They are very much two ordinary women who should strike the audience as not being particularly upper middle nor lower middle class. The play is not written in any kind of dialect indicative of social class for a reason; that reason applies whether the two actresses are white or black.
From the script (please note the last lines):
"The play takes place in a relatively new house built way out a country road, with a living room and connecting kitchen and a center hall that leads off to the bedrooms. A pull cord in the hall ceiling releases a ladder which leads to the attic. One of the bedrooms opens directly onto the hall and its entry should be visible by everyone in the audience. It should be, in fact, the focal point of the entire set and the lighting should make it disappear completely at times and draw the entire set into it at others. It is a point of both treat and promise. It is an ordinary door that opens onto absolute nothingness. That door is the point of all the action and the utmost care should be given its design and construction.
The living room is cluttered with magazines and needlework catalogues, ashtrays and candy dishes. Examples of Mama's needlework are everywhere -- pillows, afghans and quilts, doilies and rugs,and they are quite nice examples. The house is more comfortable than messy, but there is quite a lot to keep in place here. It is more personal than charming. It is not quaint. Under no circumstances should the set and its dressing make a judgement about the intelligence or taste of Jessie and Thelma. It should simply indicate that they are very specific real people who happen to live in a particular part of the country. Heavy accents, which would further distance the audience from Jessie and Thelma are also wrong."
Just as most actresses have endeavored to honor this direction (including Spacek and Bancroft in the film), so should, and I expect will, McDonald and Winfrey. There is no reason why they should treat the direction differently because they are black.
Updated On: 5/26/14 at 09:08 AM
Posted: 5/26/14 at 3:07pm
Posted: 5/27/14 at 11:13pm
Posted: 12/16/14 at 12:00am
Posted: 12/16/14 at 12:02am
Posted: 12/16/14 at 12:02am
Posted: 12/16/14 at 1:54am
Posted: 12/16/14 at 4:07am
Posted: 12/16/14 at 11:32am
Posted: 12/16/14 at 12:38pm
Posted: 12/16/14 at 12:49pm
Lucas's Fun Home co-star Alexandera Socha, around the same age now as Julie Harris when she played it, would be a terrific Frankie right now.
Posted: 12/16/14 at 1:11pm
Oprah & Audra
in
'night Mother
No one will be confused about whom the marquis refers to.
Posted: 12/16/14 at 3:52pm
Broadway has been in Oprah's sights for some time now. For a while, she was seriously considering bringing Lynn Nottage's RUINED to Broadway with herself in the lead role. That didn't happen, and she later planned to do it as an HBO film, which also fell through. But she's wanted to do theatre for some time, and now that she seems to be seriously focused on acting, maybe she will.
Posted: 12/16/14 at 9:14pm
The Rodgers would be perfect for this or the Imperial in my eyes.
I doubt they will pick a smaller house in the 1000-1100 seat range and anything over 1500 seats would be crazy for this intimate 2 person play.
Producer Scott Sanders has a strong relationship with the Nederlanders yet produced Color Purple at the Broadway with the Shuberts.
Updated On: 12/16/14 at 09:14 PM
Posted: 12/16/14 at 10:05pm
Posted: 12/19/14 at 3:20pm
Posted: 12/19/14 at 3:55pm
Posted: 12/19/14 at 3:59pm
"Oprah, Audra. Audra, Oprah."
Posted: 12/20/14 at 9:16am
Audra.
Marsha.
'mother.
Updated On: 12/20/14 at 09:16 AM
Posted: 12/20/14 at 11:22am
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