Posted: 4/17/25 at 9:14am
Patrick Adiarte's claim to musical-theater fame is assured, thanks to his big-screen debut as Prince Chulalongkorn in the 1956 Oscar-winning movie of ''The King and I'' and his Broadway debut as Wang San in Rodgers & Hammerstein's 1958 ''Flower Drum Song,'' directed by Gene Kelly. But to me, the Filipino-born Adiarte (1943-2025) meant much more.
Growing up Asian-American, especially in the 1970s, it was almost impossible to see any Asian-American faces on TV, with the possible exceptions of Hop Sing, the Chinese cook on ''Bonanza,'' and Mrs. Livingston, the Japanese housekeeper on ''The Courtship of Eddie's Father.'' So it was exciting to see Adiarte in ''Flower Drum Song,'' as a young Asian-American guy dancing so dynamically in that 1961 movie version. He didn't speak in Pidgin English, and he was just a contemporary, all-American teen. There are rare clips of him on YouTube, dancing on ''Omnibus,'' alongside Kelly, who compared the kid to Fred Astaire, and clips from ''Hullabaloo,'' dancing alongside Michael Bennett and Donna McKechnie.
But I'll always remember him as a baseball-loving teenager dancing around the fountain in ''The Other Generation'' in ''Flower Drum Song,'' directed by Henry Koster, with choreography by the great Hermes Pan. They also allowed Adiarte to cut loose in another number, ''Chop Suey.'' He appeared in guest shots on TV shows in the '60s and '70s (like ''M*A*S*H'' ). Alas, opportunities were limited for Asian-American performers back then, and what a shame he never got to step onto Broadway again. Happily, Adiarte left a small but lasting legacy of his graceful and athletic dancing on film and TV, where he always put his best foot forward.
https://www.youtube.com/watch?v=JmXqVZpOObs&list=RDEMnElt55pLESsfgo_lIdueuw&start_radio=1
Updated On: 4/17/25 at 09:14 AM